Akka Chellelu

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

When Pushpagiri learns that his daughter has given birth to a son, he asks Dhanunjay, his nephew, to bring them home. However, Dhanunjay plans to kill the young one.

Sharda, a nurse and single mother, raises her daughter Swati as an independent, articulate young woman. Swati is a strong advocate of women's rights in a society where there is significant male domination. Swati deals with eve teasers firmly, sometimes with considerable force. When a married friend of hers gets raped in the presence of her husband, she acts as a counsellor and helps them adjust to the reality of a society that blames the victim and not the rapists. Swati takes on a huge transformation when she meets a political activist and falls in love with him. She embarks on a project of matchmaking for her mother and engineers a wedding with a widower who has a grown-up daughter.

A man who is accustomed to a life of receiving bribes faces the danger from none other than his son, who joins Anti-Corruption Bureau. He attempts to escape unscathed.

Ravi, a young man, falls in love with Saroja against his father's wishes, leading to his estrangement from the family.

Eduruleni Manishi (transl. The Man Without Opposition) is a 1975 Telugu-language action film directed by K. Bapayya.

A brother avenges his brothers murder by posing as an escaped felon

Raja Raghupathi Rao, a generous Zamindar of Sripuram, iswell-renowned for his charity & humanity, and leads a happy family life with his wife, Susheela, sister Lakshmi, and two sons, Shekar & Chakravarthy. Meanwhile, Bhageswaram Zamindar Bhujangam Rao, envious of Raghupathi Rao, wants to grab his property by coupling his son Raju with Lakshmi.

Satyam (N.T. Rama Rao) is a youth leader and Panchayati Board President. He interferes with the ex-President of the board, Rudrayya (Rao Gopala Rao) from executing his corrupt practices. Satyam and Rudrayya's daughter, Savithri (Jayapradha) are in love and plan to get married. So Rudrayya gets Satyam killed with the help of a professional killer (Prabhakar Reddy). Satyam immediately goes to heaven. He angers the King of Heaven, Indra (Kanta Rao) while he enjoys the dance by Rambha, Urvasi and Menaka. He sends him straight to hell headed by Yama (Satyanarayana) and ably assisted by Chitragupta (Allu Ramalingaiah). In hell, he influences the soldiers of death, Yama's army using communist theories and rights of labor, and turns them against their leader-Yama, and Hell shuts down. Yama sends him back to Earth. Yama and Chitragupta visits Earth on a holiday trip and experiences the funny aspects of Humans. Satyam changes his name and teaches Rudrayya a lesson.

Pattabhi Ramayya, who does not have any children, dotes on his younger brother and his two sons. However, trouble starts in their happy joint family with the entry of Rangoon Raja, a relative of Pattbhi Ramayya's wife.

1959 Indian film starring Akkineni Nageshwara Rao, Savitri and S.V. Ranga Rao

Zamindar Janardhan Rao, a paterfamilias, holds high esteem in society. One of his sons, Bachi, is a vagabond and malicious, his misdeeds increasing day by day. After Janardhan Rao cuts his allowance, Bachi tries to make a theft, and his father collapses with a heart attack after obstructs his way. Before dying, he reveals the existance of a hidden treasure of their family hierarchy.

Follows the story of a freedom fighter couple, Santhamma and Dharmarao, during the British Raj.

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles