6th Street, No Number

A documentary about the 1979 workers strike.

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.

A woman asks her boyfriend for his mother's heart as a proof of love. Another, a kleptomaniac, has an affair with a TV professional. And a young man becomes a sex symbol after an advertising campaign.

The practices of football in Brazil and the issues surrounding the sport. Press, players as a commodity, the popular passion, the practice on the fields of várzea. The statements of Luiz Carlos de Freitas, a young promise of Palmeiras, and Feola's coach, as well as an interview with Pelé.

Reconstruction of the life of Wilsinho, who was a dangerous criminal by the time he was 14. After getting arrested multiple times, he finally was killed by the police at the home of his girlfriend Geni.

An experimental adaptation of Hamlet to Brazil's rural areas. Farmer's son returns home after his father's death and can't stand the thought of his mother marrying his uncle.

Deraldo, a popular poet from Northeast Brazil, arrives in the capital of São Paulo, making a living only from his poetry and pamphlets. All is well until he is mistaken for a multinational worker who killed the boss at a party where he received the title of symbolic worker.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

Director João Batista de Andrade was filming a documentary about migrants coming from Northeast Brazil to São Paulo in search of a better living. His intention was to give voice to these underprivileged and homeless people. While preparing to interview a man who lived under a bridge, a passer-by interfered, starting an argument about the role of people from other states in the development of São Paulo and the rural problem in the Northeast.

Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”

When Brazil finally came out from its dictatorship period, Tancredo Neves, the first civilian president after 20 years of military rule, got ill with a strange infection and finally died on 21 April 1985 before taking office. Knowing political stability could get compromised, before dying, he tried to look healthy, and the press also helped with the farce. The documentary is about his slow public agony and death.

A storyteller in Brasilia entertains the visitors of a bar with his narratives.

Report on the situation of bóias-frias in the interior of the State of São Paulo, as in the city of Itapetininga. These workers live in poor villages in urban areas and are taken by truck to work in the fields in the middle of the night. Men, women and children work hard in the countryside to earn a living for their family, but are unable to have land to plant. The system of bóias-frias is used by farmers, as there is no commitment to a monthly salary or portfolio registration; only hours worked are paid.

A TV reporter tries to find out who is killing prostitutes in a São Paulo neighbourhood.

Inspired by the testimony of an American technician who, examining the São Paulo dump, stated: "Sao Paulo rubbish is the richest in the world." The film shows the misery of those who live on this garbage and the police repression on the scavengers.