Anna

What happens if you take the law into your own hands, start correcting the legal system on your own initiative? Hans Croiset, André van den Heuvel, Bram van der Vlugt and Kitty Courbois in their roles of aged resistance heroes do not think this is such a bad idea; in fact, it is what they already did during World War II. Back then, they formed a sworn resistance gang. The occasion for their renewed fighting spirit is the brutal robbery and murder of Marjan, one of the members of their former group. Past and present start blending. In a controlled tempo, alert to detail and acting, a story unravels that focuses on Hans Croiset in the role of Simon, a retired teacher of Dutch. He makes contact with the underworld, meeting the Slavic Goran, who starts feeling sympathy for the old man. Eventually, fate lies in Simon's hands.

At the invitation of the Concertgebouw in Amsterdam, the Dutch conductor Jules Coulée returns to the Netherlands to conduct a one-off performance of Third Symphony by Gustav Mahler. Coulée is unpleasantly surprised when he sees that the Concertgebouw is under construction and that the renovations continue during rehearsals. In addition, the acoustics of the hall are terribly bad and the balcony too close, so that the post horn solo in the third movement cannot possibly come from afar, as the score prescribes. For Coulée, the entire implementation stands or falls with this detail.

I don't know who I am - that's what it is', the seventeen-year-old curly redhead Jordi grumbles to his tough girlfriend. Under mother's wing, Jordi spends all his time on the Internet. His only adventure is a ride on the back of his girlfriend's motorbike. One day, a coincidental but shocking discovery on the Net forces him to start searching for his identity, away from his familiar environment. It takes him to a confrontation with his biological father who was supposed dead, but appears to live in Ireland and does not immediately press his lost son in his arms. Kilkenny Cross is a coming-of-age drama, in which the Dutch urban water landscape contrasts with the green hills of Ireland and the impassiveness of modern means of communication with the longing for human intimacy. A chat session between mother and son leads to an emotional climax. In a cameo role, female novelist Manon Uphoff explains what true love means.

Young journalist has an interview with a succesfull gay playwright who likes to write frankly about sex. At first the interviewee responds cynical and distant, but after a while the tone of the conversation changes. This is because the playwright notices the journalist more than admires him.