The Smile-O-Scope

This collection of vintage cartoons is not only a loopy primer on animation history; it is also an offbeat reflection of western "civilization" in the early 20th century. The racism in "Little Black Sambo," and the overt sexuality of Betty Boop are all-the-more shocking when you think that this is what grandma and grandpa were growing up watching! From the works of the world’s very first animator, Emile Cohl, to Walt Disney himself, Johnny Legend has compiled a twisted list of early animations that are guaranteed to surprise, delight and amaze.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).

A splendid blend of live-action photography and Cohl's famous animation, Nothing... displays the realms man has conquered: Air, sea, the domains of music and machinery. The one thing man cannot conquer, Cohl posits, is gossip.

Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.

A bizarre musical couple falls asleep after an insane performance, and dreams about musical instruments.

A nightmare, sketched out upon a living blackboard.

A cut-out animation depicting the Twelve Labours of Hercules.

The various parts of Faust are played by puppets.

A salesman pursuing a potential client takes tenacity to new heights, and depths.

Three girls seeking to have their fortunes told invite a witch over. When the girls' father offends the witch, she puts a hex on him and his matches.

Early short by French animation artist Émile Cohl. A woman becomes slowly visible in front of a black space. She points a wand and spells the word “Bonsoir” in colored letters formed from flowers.

In "Rêves enfantins", players in the flesh are mixed with animated objects and cut-out paper actors.

Grotesque animated spirits punish a disbeliever who scorns his wife’s interest in the occult.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

A showman invites patrons to step up to his Kinetoscope-style magic box and glimpse the answers to their most burning questions.