Una

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

An ambitious young FBI agent is assigned to investigate iconic actress Jean Seberg when she becomes embroiled in the tumultuous civil rights movement in late 1960s Los Angeles.

Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

Electra: A daughter consumed by grief and rage, clinging to the idea of justice as her world comes apart. Persona: During a performance of Electra, an actress suddenly falls silent. What follows is a rupture: two women drawn into an intense, unsettling encounter where speech breaks down and the boundaries between self and role give way. Featuring Cate Blanchett (The Seagull), Nina Hoss (The Cherry Orchard), and Ella Lily Hyland (Black Doves), Benedict Andrews' (A Streetcar Named Desire) thrilling production fuses ancient myth and modern psychology in a powerful exploration of identity, and the fragile line between who we are and who we play.

Nothing is for forever. And people make mistakes. And yet, letting go is the hardest challenge when you're burning with love for the first time and want nothing more than to hold on to it forever. But can you feel as intensely forever as you did in the beginning? Così fan tutte in Benedict Andrews’s new production deals with the exuberant feelings that drive young love in the rush of hormones. Sometimes it touches the fringes of human relationships, where one threatens to lose oneself in the search for intensity. Thus the two young couples, who think they have already discovered the essence of true love, meet two experienced counterparts in Don Alfonso and Despina. An experiment begins in which the men put the fidelity of their partners to the test by playing a game of disguise. What remains is disillusionment. And the possibility of a painful realization: only freedom and the longing for union are certain. Disappointment and rejection are part of the game – because no love is ideal.