Riskante Patienten

The clock is ticking... When a woman is bludgeoned to death, detectives face mounting pressure to crack the case and catch a killer. Intense crime drama inspired by real-life cases.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A character study of a family on vacation. The emotional abyss and problems are behind the seemingly nice facade of an intact family as they experience guilt, love, and jealousy.

Oliver, former European champion in the decathlon, came out after the end of his sporting career and divorced his wife Carolin. Since then he has had little connection to his 15-year-old daughter Alma. Oliver now lives in Hamburg with Felix, the owner of an outdoor shop. When Oliver's ex-wife dies after a car accident, Alma moves in with them at the request of her aunt Franziska. Full of mistrust of her homosexual father, the traumatized girl tries to initiate conflicts between Oliver and Felix and to break them up. Alma's friend Johannes also has reservations about gays. His family provides Alma with emotional support. Because Felix also shows a lot of understanding for Alma's needs, Oliver gets caught between the fronts.

Two married couples, in their mid-40s, have been friends for a long time. Until one husband believes he has to bring an indiscretion to the public about the other and the respective life plans and moral concepts are called into question. Matthias Brandt, Barbara Auer, Heino Ferch and Katja Riemann can be seen in the leading roles of this outstanding, chamber play-like television film.

A house. Two couples. Two life concepts. It should be an idyllic afternoon with coffee and cake - in the end, shards, not just the dishes, must be swept together.

Hanns Zischler embarks on a walk to Canossa in "Prof. Wall in the brothel": A law professor desperately wants to make amends, that through his guilt an outstanding student has broken off and now works as a prostitute. With targeted provocations Emilia Schüle as Aurelie takes apart his self-righteousness. Director Stefan Krohmer focuses on the psycho-duo of the excellent leading actor in his chamber-like staging: The longer the dispute lasts, the more the original balance of power between the prostitute and her unusual client turns upside down.

Jonas (Benno Fürmann) and Marit (Maja Schöne) lead an unconventional relationship. They moved from Cologne to Berlin because Marit got a lucrative job there. This makes Jonas temporarily unemployed - but one has to take care of children and household.Talking together, being open and honest and making music together is the basis of this family, where everyone can make their own thing and feel at home at the same time, a family where parents see themselves as life-long companions of their children. This modern family code is put to the test when the couple meets a pioneering agreement after 14 years of relationship -both of them do not want to miss family as it is now , but they do not want to give up their sexual needs completely for the sake of domestic peace.

Andrea Bredow makes friends quickly with her new colleague at the health department. Judith Lorenz seems nice and competent. And she does not like anything about office macho Volker Lehmann. But then the unbelievable happens: Judith is brutally raped by Volker Lehmann during her working hours in a storeroom. So she tells Andrea and later the police. Andrea encourages her friend to tell the truth. But Judith's behavior seems increasingly puzzling.

Set in the early '80s, a time when a new wave of leftist political consciousness and activism had swept German youth (and was just about to disappear as quickly as it arrived), this satiric comedy follows a young couple, Ingo (Hans-Jochen Wagner) and Nadja (Valerie Koch), as they travel to Austria for a weekend of skiing near her parent's luxurious chalet. While Ingo and Nadja have an open relationship, he thinks its time that they commit to one another exclusively, and is hoping this weekend will convince her this is a good idea. However, their privacy is interrupted when several guests arrive -- friends of Nadja's brother Knut (Ingo Haeb), a noted political activist, who, unbeknownst to her, has also planned a ski weekend. As the guests await Knut's arrival, they get the unpleasant news that he's been arrested during a demonstration; several propose that they should come to his aid, while the majority decide instead to go skiing as a way to pay tribute to his commitment to the cause.

Three couples, six friends and the threat of retirement age: when TV journalist Paul quits his job at the age of 65, neither he nor his wife Christiane (59) had any idea that their relationship would be put to the test. Neither did personnel manager Marlene (62) suspect that her husband Klaus (64) had been having an affair with a younger woman for years, who is now expecting his child. And everything changes between high school teacher Heiko (63) and his wife Vera (62) when he is diagnosed with a brain tumor. Three couples, six people and the 60-plus agenda: what remains is their friendship.

What do parents think first when the room of a 15-year-old is empty on Sunday morning? The fact that he secretly goes to church, brings his otherwise open-minded patchwork family together: what's going on in the child's head? While Ulrike C. Tscharre wants to be the indignant mother of the pastor, Ben Braun proposes in the role of the casual stepfather before a self-experience trip in the distance.

A young German woman is searching for the man she loves in northern Russia.

Gerrit Frings is facing ruin at the age of 34. After the end of his company and the suicide of his partner Markus, he is also sued by his widow Sandra. Allegedly, Gerrit owes Markus a lot of money. In reality, however, it was the other way around and his self-denial of his own situation was ultimately the reason for Markus' suicide. Gerrit's wife Claudia supports him in this difficult situation. But Gerrit falls in love with Sandra, of all people.