The Day I Died

One week each year Iranians stay out all night. Women abandon legal curfews. Men weep. Communities gather to mourn their saint's death, ask that wishes be granted, give thanks for prayers answered. While this week showcases Iran's most restrictive religious elements, it offers openings for this culture's most intimate connections. Is a change in the perception of love inherently political because it affects individuals and their view of the world? As we follow three couples negotiating love, we learn freedom is not what we assume it is and love is more than we imagine it to be.

Two sisters, Nova Bordelon and Charley Bordelon, with her teenage son Micah moves to the heart of Louisiana to claim an inheritance from her recently departed father - an 800-acre sugarcane farm.

After David Kim's 16-year-old daughter goes missing, a local investigation is opened and a detective is assigned to the case. But 37 hours later and without a single lead, David decides to search the one place no one has looked yet, where all secrets are kept today: his daughter's laptop.

A wealthy Iranian family struggles to contain a teenager's growing sexual rebellion and her brother's newfound conservatism.

A legendary late-night talk show host's world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.

When a large Iranian-American family gathers in New York City for the patriarch’s heart transplant, a family secret is uncovered and catapults the estranged mother and daughter into an exploration of the past.

A young woman in the Army must make tough decisions when her love for an older woman causes her to question just where she is going. Adapted from Deb Shoval's 2011 short film of the same name.

ER nurse Helen Sterling struggles to free her grown son, a journalist captured by terrorists in the Middle East. After hitting walls with the FBI and State agencies, she discovers a clandestine community of journalists, advocates, and philanthropists who might be able to help.

In Tehran’s underground art scene, Pari, a theater director, and Hanna, a dancer, are roommates, best friends, actors, and professional partners, navigating rehearsals, performances, and the quiet rituals of everyday life—until their secret circle is discovered. Shot covertly but far removed from familiar portrayals of Iran, directors Maryam Ataei and Hossein Keshavarz blur the boundaries between theatrical performance and lived experience, crafting a luminous portrait of sisterhood where art becomes inseparable from life and even the smallest creative choices can become acts of resistance.