Stop Calling Me Baby!

In this romantic comedy, an astrologer matches up two people who are married to other people. Each is convinced that what they need in order to have a more fulfilling life is an extramarital affair, and they intend to take their medicine, no matter how distatsteful it proves to be. Luckly for the audience, it proves to be awful indeed, as they attempt to set fire to this soggy fuel for romance in a series of ill-starred dates.

Saturday evening. We have a date with friends and Pierrot has finally obtained his mother's slightly worried authorization. He runs down the indefinite staircase of the immaculate H.L.M., planted firmly in the mud of the suburbs, to meet up with the others. The others are older than him on the whole, but what they have in common is the desire for something to change, this weekend, and for things to get moving. This is especially true for those with scooters who, in close ranks, can scare pedestrians, hug cars and taunt the marshals. Pierrot will be taken in rump like the girls, Thérèse behind Jacquy, Monette behind Christian.

Tony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of the gang, B.B. La Brune, organizes leisure activities when she's not up to no good. Unemployed and penniless, they all dream of consumption and possession. Until the day a fight turns ugly: Tony, trying to reason with Nanar, pulls the trigger.

Three friends, Robert, Michel and Jean, would be three happy men if Robert's aunt, who has inherited a magnificent nightclub, the King Club, in which they work, didn't torment them. Friendly and small-minded, they think they're tough and don't hesitate to traffic. Their latest find is not without imagination: to bring from Amsterdam diamonds hidden in the diaper of a baby of whom Michel is the father.

The tragedy of Helene and her husband Pierre, whose life is shattered when Pierre is kept as a political prisoner, while Helene is denied the right to visit him. A growing fear of losing her husband to tuberculosis takes over Helene, who does all she can to meet him, even for one last time.

Delphine is a country girl who travels to the big city in search of feminine emancipation and freedom. Attending wild parties and nightclubs, she meet a young rock star.