The Metropolitan Opera – Verdi: Macbeth
Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.
Directed by Gary Halvorson · Written by Francesco Maria Piave
Cast
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Željko Lučić Macbeth -
John Relyea Banquo -
Maria Guleghina Lady Macbeth - Elizabeth Blancke-Biggs Lady-in-waiting to Lady Macbeth
- Dimitri Pittas McDuff, Thane of Fife
- Mary Jo Heath Self - Special Guest Interviewer
- Richard Hobson A Servant of Macbeth
- Raymond Renault Duncan, King of Scotland
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Russell Thomas Malcolm, Duncan's Son - Adam Hauser Piñero Fleance, Banquo's Son
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Keith Miller A Murderer -
David Crawford A Warrior
Make it a double feature
5h 59m together
The Metropolitan Opera – Verdi: Macbeth
Prince Igor
Both from Gary Halvorson.
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