Heck's Way Home

In this short documentary from the Canada Vignettes series, a Saskatchewan grain elevator is moved across the snow-covered prairie to a new home after nearly a half-century of use. The film follows the lifting and transporting of the 9-storey, 200-ton structure, and examines the feelings of the people as they witness the final passing of their town's one and only grain elevator.

One of the most sensational get-rich-quick schemes that took place in France over 200 years ago with economist John Law at the helm.

This animation film celebrates the creative process--its beauty, fury, and consequences. It is a highly stylized and impressionistic rendering; each scene corresponds to a step in the process. Black and white photographs, representing reality, are overlaid with animated colour drawings, representing fantasy. It illustrates the artist braving creative storms, indulging runaway imagination and learning, by trial and error, to take possession of his creative energy. Film without words.

Created in 1939, the National Film Board of Canada has produced and distributed literally thousands of films by and about Canadians, including hundreds of animated shorts. But despite the fact that these innovative cartoons received several Oscar wins and nominations, most were little-seen by Canada's neighbors to the south.

The Pedlar is a dramatic film based on the short story by W.D. Valgardson, A Place of One's Own. Tired of the rootless, lonely existence of a travelling merchant, a man searches for a place to settle down, and someone to share his life.

Ukrainian-Canadian Ted Baryluk's grocery store has been a fixture in Winnipeg's North End for over 20 years. In this photo study, Ted talks about his store, the customers who have come and gone and the social changes his multicultural neighbourhood has seen. But most of all he wonders what will become of his store after he retires. He hopes his daughter will take over, but she wants to move away. The film is a wistful rendering of a shopkeeper's relationship with his daughter and a fascinating portrait of a neighbourhood and its inhabitants.

This documentary explores the many questions raised by Canada's immigration policy in the face of one of the world's largest immigration movements. Shot in 1988 in Africa, Canada and Hong Kong, the film reveals first-hand what Canadian immigration officials are looking for in potential new Canadians, and the economic, social and political priorities orienting their choices.

Forest fire in mountainous British Columbia, as experienced by the men who must try to quench it from the air and at close quarters on the ground. Over half of fire outbreaks occur through carelessness, and this film affords a close, vivid view of the result: a whole mountainside turned into a searing, crackling holocaust until nothing remains but gray, desolate waste—mute reproach to all who travel or work in the forests.

Kelly is a Métis man without treaty or hunting rights, struggling to sustain his traditional life. His daughter Theresa longs for a red dress from France that she believes will give her power and strength, as the bear claw once did for her great-grandfather Muskwa. When Theresa escapes an assault and Kelly turns his back on his daughter, he realizes that he must reconnect with his culture in order to make things right. Today, the red dress is a powerful symbol recognizing over 1000 missing and murdered Indigenous women in Canada.

An archaeological expedition journeys to Manitoba, Canada, in search of a legendary crucifix supposedly buried in an ancient Viking grave.

A couple has a fight over a game of Scrabble unaware that a full-scale nuclear war has started.

Pete Standing Alone is a Blood Indian who, as a young man, was more at home in the White man's culture than his own. Confronted with the realization that his children knew very little about their origins, he became determined to pass down to them the customs and traditions of his ancestors. This film is the powerful biographical study of a 25-year span in Pete's life, from his early days as an oil-rig roughneck, rodeo rider and cowboy, to the present as an Indian concerned with preserving his tribe's spiritual heritage in the face of an energy-oriented industrial age.

Jesse Threebears is a troubled Native-American teen who has been tossed from one foster home to the next since his mother died when he was an infant. Finally, he is taken in by his grandfather who, after a ten year stint in prison, is living on the reservation. With the help of his grandfather and several others who live on the reservation, Jesse begins to learn about his heritage and how to come to terms with his troubled life.

Peep the chicken ventures out on an adventure into the Big Wide World and makes some friends along the way. Narrated by Peter Ustinov, this 1988 short film commissioned by the National Film Board of Canada comprises three short stories starring Peep the chicken, Quack the duck, and Chirp the Robin, and eventually served as the inspiration for an ongoing 2004 animated series.

This documentary short is a visual portrait of “Prairie Sentinels,” the vertical grain elevators that once dotted the Canadian Prairies. Surveying an old diesel elevator’s day-to-day operations, this film is a simple, honest vignette on the distinctive wooden structures that would eventually become a symbol of the Prairie provinces.

A concert pianist prepares to begin his practising for a major concert coming up. Unfortunately, he has this procrastination problem that prevents him from getting any serious time done, even when his frustration with it literally driving him into a frenzy.