Sergeant Studer

If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.

A hairdresser is being recruited during World War I by the Swiss military where they turn this soft civilian into a 'real man'.

Provincial shop owner Jakob Stäubli and his wife Frieda are looking forward to celebrating Christmas together with their daughter Nelly. But Nelly doesn't come. She prefers to celebrate in the city in the company of her new boyfriend André, a "better gentleman." The saddened Stäublis decide to sell their shop and move to Zurich as well. As they explore the city together after the move, the two country bumpkins find themselves in all sorts of turbulent situations. Father Stäubli is also exposed to erotic temptations when his daughter's lover sends a woman after him to get money out of him.

The story takes place in Mythikon, a small village on Lake Zurich in the 17th century. The pastor of a rural Zurich community is so obsessed with hunting that his passion threatens to cost him his office and dignity. Now, help is sought from the famous general and cousin of the pastor, who is supposed to set things right with a clever plan.

Three upright apprentices - tailor Zwirn, carpenter Leim, and shoemaker Knieriem - win a lottery and get rich overnight. Leim marries his master’s daughter, Zwirn squanders his fortune on the glamorous Signora Palpiti, and Knieriem drinks away his wealth. Horrified, Leim strives to rescue his friends and restore their middle‐class lives.

A sailor on leave meets a beautiful girl on the ski slopes of Switzerland.

At the end of the Second World War, orphans of various nationalities come together at the Pestalozzi Children's Village in Trogen. When the order arrives from Poland that the Polish children must return to their country, it comes as a shock to 13-year-old Andrzey: he doesn't want to leave Anja, for whom he has developed a strong affection. The two children decide to flee and go into hiding...

Switzerland in the 13th century: Shot in the middle of World War II, this classic film returns to the origins of Switzerland and turns about the problem of the small country against a big power: Resist or obey?

While on a longer business trip, a wannabe poet urges his beautiful but more simple wife to answer his overly swollen love letters. With no idea how to respond she forwards the letters to a new young school teacher to use his answers instead...

If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.

Soviet, British, French and American allies patrol post-war Vienna.

The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn't easy.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?