Budd Boetticher: A Man Can Do That

Documentary film detailing the history of Kansas City jazz.

A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.

The Blues (2003) is a seven-part documentary series produced by Martin Scorsese that explores the history and influence of blues music. Each episode, directed by a different filmmaker, traces a unique aspect of the genre’s evolution—from its African roots to its global impact. Originally airing on PBS, the series includes Scorsese’s Feel Like Going Home, Wim Wenders’ The Soul of a Man, Richard Pearce’s The Road to Memphis, Charles Burnett’s Warming by the Devil’s Fire, Marc Levin’s Godfathers and Sons, Mike Figgis’ Red, White and Blues, and Clint Eastwood’s Piano Blues.

A documentary film about the life of pianist and jazz great Thelonious Monk. Features live performances by Monk and his band, and interviews with friends and family about the offbeat genius.

Hollywood careers are full of make-or-break moments. For Clint Eastwood, one such moment came when studio powers agreed to let him make his directing debut. That story and others comprise this portrait of the famed Hollywood icon. His career is explored via an array of film clips, interviews and more.

Commemorating the centennial of Mercer's birth, this documentary is part biography, part archive, and part recontextualization, taking Mercer's tunes and putting them in the hands of modern singers like Jamie Cullum and Dr. John to show they are still relevant today. Host Clint Eastwood also interviews artists who collaborated with Mercer or performed his songs, including composer John Williams, Blake Edwards, Andre Previn, Tony Bennett, and Julie Andrews.

American Masters is a PBS television series which produces biographies on enduring writers, musicians, visual and performing artists, dramatists, filmmakers, and others who have left an indelible impression on the cultural landscape of the United States.

On October 17, 1996, veteran and contemporary jazz greats gathered for a select soiree on the stage of New York's Carnegie Hall, saluting a guy more noted for making popular films than for making sweet music. But as any fan of Clint Eastwood, especially after he started directing 30 years ago, will attest, the award-winning star is also an inveterate jazz lover who has uniquely integrated that musical form into the scores of his films. Join Joshua Redman, Christian McBride, Flip Phillips, Charles McPherson, James Rivers, Slide Hampton, Hank Jones, Thelonious Monk Jr., the Kyle Eastwood Quartet, the Carnegie Hall Jazz Band and more for this scintillating celebration of film and music.

Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince Duke to reopen his late brother's nightclub, and soon the local redneck policemen are intimidating Duke with threats of violence. Duke refuses to pay the bribes they demand, so then he and his lady friend Aretha are threatened and attacked by the crooked cops. Rather than take them on himself, Duke calls on his old pal Roy. Roy brings a few buddies to Bucktown, and they bring justice to the small town. With the redneck cops out of the way, Duke lets his guard down. Then the situation gets out of hand again. Finally, Duke must settle the score himself.

This documentary, produced by actor-producer-director Clint Eastwood, reflects on the life and journey of Bennett, using both archival and recent footages, including never before seen clips from his performance at the 2005 Monterey Jazz Festival.

An intentionally campy film designed to capitalize on Linda Lovelace's sudden fame following "Deep Throat", this film centers around Linda's fictional grass roots campaign to run for president. Touring the country with a rag-tag team of strange and wacky people, hilarity supposedly ensues at every stop.