Vettam

Kadathanadan Ambadi

Kadathanadan Ambadi is a 1990 Malayalam-language Indian sword and sorcery film directed by Priyadarshan and produced by Sajan Vargeese, starring Mohanlal, Swapna, Raadhu and Prem Nazir. The film was in production from 1985 and was stalled due to financial crisis faced by the producer Sajan Vargeese. The film is a sequel to 1964 film Thacholi Othenan. Few shots from Tacholi Othenan is shown in this movie also.The film was released after the death of Prem Nazir.

Onnanam Kunnil Oradi Kunnil

Nithin and Anand, two jobless youths, try various tricks to impress women and get caught in hilarious situations.

Poi Solla Porom

Sathyanathan is a typical middle class man who has just retired. He wants to buy a plot of land in the city and move in with his wife and children - Uppilinathan(Karthik Kumar), Vishwanathan and Sindhu. But his son Uppilinathan - who is a software engineer - has no interest in the house and is keen to leave India for New York, where he has obtained a job. Sathyanathan buys the plot from "World Famous Properties" which is managed by Vijayakumar.

Rakkuyilin Ragasadassil

Well-known musician Viswanathan was in love with his college mate and a dancer Janani. After facing opposition from all quarters, they finally get married. But soon their ego and professional jealousy start causing problems in their life making Viswanathan leave home with their son. Years later, Janani is to receive the Natyasree award in dance and he challenges her to dance to his voice.

Engane Nee Marakkum

Friends Shambu and Premkumar fall in love with the same girl, Shobha, and are unaware about it. Matters become more complex when another person also begins to woo her.

Ninnishtam Ennishtam

Sreekuttan falls in love with Shalini. Shalini's family is in financial trouble. Sreekuttan's on-and-off friendship with a wealthy man allows him to be Shalini's benefactor and suitor.

Vellanakalude Naadu

Vellanakalude Nadu movie which is a political satire based against municipal mafia in the form of Buildings

Thenmavin Kombath

Sreekrishnan unknowingly falls in love with the woman his best friend, Manikyan, loves. Though Sreekrishnan tries his best to woo her, she resists, leading to a battle that ensues between the friends.

T. P. Balagopalan M.A.

The film revolves around T.P. Balagopalan (Mohanlal), a middle class post-graduate salaried person, who wants to build himself and also needs to take care of his extended family members. The film went over factors influencing Kerala of the 1980s such as widespread unemployment, poverty, and the poor economy.

Sindoora Sandhyakku Mounam

Siblings Deepthi and Ravi are separated after their parents' divorce. After many years, Deepthi faces many challenges when she goes in search of Ravi.

Lesa Lesa

Chandru's grandfather is going to visit him but Chandru has spent all his money. So he requests his wealthy friend, Rakesh, to pose as the owner of all the riches till his grandfather stays with him.

Hera Pheri

Two tenants and a landlord, in desperate need of money, chance upon a ransom call via a cross connection. They hatch a plan to claim the ransom for themselves.

Akkare Akkare Akkare

Ramdas and Vijayan are sent on a mission to the US to retrieve a priceless gold crown stolen from India. With a couple of clues, the comic duo embarks on the adventure.

Mazha Peyyunnu Maddalam Kottunnu

Mazha Peyyunnu Maddalam Kottunnu is a 1986 Malayalam comedy film directed by Priyadarshan. Starring Mohanlal, Mukesh, Lizy, Sreenivasan, Jagathi Sreekumar, Maniyanpilla Raju, and Kuthiravattam Pappu in the main roles. This film was a huge hit in theaters and is considered as one of the best comedy films in Malayalam cinema.

Kilichundan Mampazham

A young man tries to rescue the woman he loves after she is forced into marrying another.

Aryan

Aryan movie is all about Devanarayan (Mohanlal) who is a Brahmin priest who is falsely accused of theft and forced to leave his village in Kerala. He moves to Bombay where he gets drawn into the underworld through an ageing don Kareem (Goga Kapoor). Some interesting comment initially on Brahmin priesthood in Kerala, but halfway through the film goes haywire.