The Class

Tuulepealne maa is a twelve-part Estonian television mini-series about the pre-World War II history of Estonia, its birth as a country, the Estonian War of Independence, post-war life throughout 1920 up to 1941 and World War II.

Half the film was shot with a video camera taken from a television station without permission, the cast and staff were unpaid, and the script was written as a screenwriting class assignment.

August 1991, military coup d'etat in Moscow. When Soviet tanks are on the streets of Tallinn, Estonia, all hopes for independence seem to be lost. People in the only local television station, ETV, are facing their own choices.

The Class: Life After is a follow-up to the feature film The Class (Klass) and deals with the aftermath of a school shooting. Each one-hour episode focuses on a different character who survived or witnessed the tragic event. There are kids from the class, their parents, the class teacher, a boy who survived the shooting, and finally, one of the culprits in the very last episode.

Year 1208. The first Eastward enlargement of Europe is under way. Brutal forces of the Teutonic Order are steadily marching on. In their path live a simple and peaceful people, whose main pastimes include cultivating the earth, singing and, if possible, doing both at the same time. They are the Estonians. Ignorant in the ways of war, they find an unlikely leader in a young boy with Catholic upbringing. In their fight for freedom, the Estonians encounter numerous obstacles, including the Germans, French, Russians and, worst of all, the Latvians. Will they succeed in defeating their enemies or will they experience a cultural awakening?

Anne leaves Estonia to come to Paris as a caretaker for Frida, an elderly Estonian lady who emigrated to France long ago. Anne soon realizes that she is not wanted. All Frida wants from life is the attention of Stéphane, her younger former lover. Stéphane, however, is desperate for Anne to stay and look after Frida, even against the old lady's will. In this conflict of strangers, Anne will find her own way…

Erik is convinced he has a stone for a heart. That’s why he doesn’t mind that his parents have no time for him, or that he is bullied at school, or that he has no real friends. When his family moves to a villa they inherited, he is confronted by Maria whom Erik's parents want to kick out along with her father. Maria refuses to move and promises to make Erik's life a living hell. As a last attempt to defeat Erik, Maria goes to look for her mother who disappeared two years ago. Together they end up on a fantastical journey to the In-Between-World and Erik learns how hard it really is to wear a heart of stone.

Anya, a young academic raised in an orphanage, is on the cusp of success when she’s accused of drug possession. While in limbo hiding from the police, she hits the road with Kristina, another orphan several years Anya’s junior, in search of her possibly mythical grandmother.

Three friends return from a vacation and discover that the TV studio they work for has gone bankrupt - so they decide to start their own costume renting business.

30-year old Kertu has lived under her father's power her whole life. Because of her gentle nature, she is thought by locals to be a little simple-minded. The young woman makes her first timid attempt to change something in her life - she send a postcard to Villu, a handsome but degenerate village drunk.

Living alone in an Estonian slum and unable to afford basic needs, a top high school student reluctantly enters the drug game to make ends meet.

The young country of Estonia is dancing to the jazzy tune of the 1920's when on December 1, 1924, the capital Tallinn is overrun by members of the Comintern in an attempt to stage a Communist coup. The film follows the fates of a young soldier called Tanel and his wife, a telephone operator named Anna, amidst the ensuing chaos which determines whether the country remains independent or becomes a minor province in the Communist Empire.

Young and active nationalist Aleksander Kesküla makes up his mind to use Lenin, the Bolsheviks' leader, in order to start a revolution in Russia with German money and create a new national state of Estonia in the north-east of Russia. For security reasons, five doubles will be found and trained for Lenin. All of them are finally sent to Russia to instigate the revolution. How will the real Lenin put up with all this?

Twenty-five films from twenty-five European countries by twenty-five European directors.

Liina is a young actress at Vanemuise Theatre who gets Tiina's part in the new, postmodernist version of the play "Werewolf" by August Kitzberg. The theatre is haunted and the rehearsals seem to be cursed, artificial blood becomes real blood. The play won't be complete before the murder mystery is unsolved - and Liina is being taken back to the old theatre legends and intrigues of the past century.

A young Estonian goes to the Siberian Taiga to live as a hunter in a remote forest hut. He hopes to find his true self far from civilisation. The natives he meets introduce him to the myths of the north. The first is a young village teacher who wants to be a good wife to him. The second is a wild and untameable native who becomes his mythical bear-woman. When he accidentally kills a great black bear, his own shadow-creature, he burdens himself with guilt. However, he is given a chance of finding his inner balance. A romantic drama with mythical elements and breathtaking landscapes.