Manteca, mondongo y bacalao con pan: una mirada al jazz cubano

East German Stasi officer Fritz travels to Cuba with orders to thwart a suspected CIA operation against Fidel Castro. In Havana he meets Lola, a young woman who will both endanger his mission, and change the course of his life dramatically.

Film formed by three stories: Flash by Pavel Giroud, in which a photographer sees strange apparitions in his photographs; Lila by Lester Hamlet, on the forbidden love between a young couple; and Luz roja by Esteban Insausti, about two characters who begin an affair after they met by chance in a traffic hold-up.

Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

At the height of the 1980s AIDS epidemic, Cuban boxing champion Horacio's punishment for failing a drug test is to watch over the brash, combative Daniel, a patient in a sanatorium where HIV patients are compulsorily confined. The two collide as Daniel yearns for freedom while Horacio dreams of returning to the ring.

The "edad de la peseta" or silly age is the term used in Cuba for the pre-adolescent period from the age of seven to the age of eleven. Set in 1958 in Havana, the year that culminates the Revolution, ten-year-old Samuel has just arrived in town with his recently divorced mother. They take up residence in the house of his eccentric grandmother Violeta, and Samuel is introduced to a new, mysterious world where Samuel finds himself an adult in comparison to his child-like mother.