Dr. Sommer II

At the beginning of the 50s, two extremely disparate men meet in a private sanatorium for consumptives: an officer in the People's Police, Josef Heiliger; and a young Protestant curate, Hubertus Koschenz. On account of their consumption, they have to share a room. Initially, this is the only thing they have in common. The film explores Hubertus's struggle with his sexuality within the context of both the church and the socialist state.

A classic love triangle is transposed onto the lives of three medical students in Leipzig. Udo loves Tini, his friend Tommy’s fiancée. Tini is torn between choosing one man over the other. Meanwhile, Britta has renewed her studies after giving up on acting, and wonders if she has made the right decision.

For five years Rogelio, a Chilean exile, has been in the GDR, where he works as a lighting technician at a theater. Though his colleagues try to make him feel welcome, he feels lonely and isolated.

Karl Erp is a middle-aged man with two children and a boring marriage. After starting an exciting affair with his intern, Miss Broder, he leaves his loveless marriage and moves in with his lover. Under pressure from Miss Broder’s mother, Karl once again promises marriage. He finds, however, that the excitement that drew him to her in the first place doesn’t carry over into their daily lives.

Uwe Polzin, a highly talented biologist publicly stands the defence of his doctorate and this crucial day prompts him to look back on his life so far. These reminiscences are not altogether positive and he and his family still face almost unsolvable problems. For; while Ruth, Uwe's sister, consciously goes without family life and private happiness in order to devote herself fully to her vocation as a doctor; he tries to reconcile career and family. He has found in Alla, his wife - an interpreter - not only a truly loving partner but also someone who shares his basic view of life. Still, their marriage is undergoing a crisis. Uwe's job has become so demanding that he expects her to cope with a great deal of domestic problems. Alla senses that her husband is exploiting her love towards him and that he expects her only to make sacrifices for him. This is why she is contemplating divorce.

Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.

Inge Herold is in her mid-thirties. She is divorced and lives with her 15-year-old son. She works as a psychologist and social worker and is involved with a married man. Suddenly, Inge finds out she may have breast cancer, which would mean an operation the very next day. The 24 hours before the planned surgery puts her under enormous psychological pressure and she begins to reevaluate her life. With heightened awareness of matters of everyday life, she realizes that what she previously considered meaningful, was actually void of any real meaning.

Sunny is the singer of a band trying to establish itself in the East Berlin music scene. They play regular gigs in small towns, but Sunny feels out of touch with the audience and with her life as a whole. She begins a relationship with Ralph, an amateur saxophonist and philosophy student, who writes her a very personal song—but his obsession with death and unfaithful lifestyle are not for her. After getting into a quarrel with a band member who harasses her and telling off a show host, she is thrown out of the band. Abandoned, she struggles to regain control over her life.

The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…

Accompanying a GDR fashion team, journalist Thomas takes a plane to an haute couture festival in an exclusive Mediterranean seaside resort. A French Padre, who could be mistaken for Thomas's twin brother, is a fellow passenger. Precisely for this reason, the journalist is plunged into the most extraordinary and very precarious situations.

Adam receives a flashlight with special powers: every liar it shines on flies into the air. Production was cancelled in 1965/66 due to the film's political content. Only in 1989/90 could the director reconstruct the film, where missing sounds and images are replaced with script inserts.