Meus Amigos

The miniseries charts Napoleon Bonaparte’s career from his return after the Egyptian campaign to his downfall and exile on Elba, portraying his political maneuvering, military ambition, and complex relationships with key figures such as Talleyrand, Fouché, Murat, Tsar Alexander, Joséphine de Beauharnais, and Countess Marie Walewska.

Lives is the story of a middle-aged couple that dwells the night, the heroin and small tricks.

A look at the urban society of the seventies. The story of Marta a young and pretty girl, who leaves her husband to search for her true identity. She doesn't quite know what she wants, but at least she knows what she's escaping from. Soon she encounters financial difficulties and finds herself involved with shady characters, a situation that leads to a mysterious murder. The net closes around her.

Reflections on life and death unfold through the eyes of Jorge, the head doctor of the Haematology Department, whose world is plunged into despair when he falls in love with Clarisse, a woman suffering from advanced leukemia.

This documentary shows a typical Sunday in Mozambique's capital, tourist main attractions, an inquest in Lisbon about the perception of the people in the street about what life was like in that African colony (or, as the Government had it then, "province"), and then interviews and scenes of Lourenço Marques fishermen and a bar waitresses. African folk music and dance were used as documents and background for the text narration.

Pierre Lachenay is a well-known publisher and lecturer, married to Franca and father of Sabine. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stay away from her.

According to the book Journal Particulier de Paul Léautaud, the love story that was born between him and Marie D., whom he met at the Mercure de France in 1922, on the occasion of an article she wrote to appear.

A story about two people (Clara and Tó), from different economic backgrounds, who love each other, but whose love is not accepted by everyone, especially by the father of Clara, who will do everything he can to stop their love. Things go even worse when Clara becomes pregnant.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Chased out of the Spanish court, a nobleman uses the services of his valet to take revenge. He orders him to seduce the queen in order to better compromise her.

António da Cunha Telles is an unavoidable personality of Portuguese cinema. As a producer, he was at the origin of Portuguese New Cinema by producing Paulo Rocha's film Os Verdes Anos, Fernando Lopes film Belarmino and António de Macedo's film Domingo à Tarde. As a director he gave him a second breath with his film O Cerco. As a distributor he brought Ivan The Terrible and the Potemkin Battleship from Sergei Eisenstein. As exhibitor he showed us Deus, Pátria, Autoridade de Rui Simões of Rui Simões and The Salt of the Earth by Herbert J. Biberman. But António considers himself more a director than anything else. With a scarce and uneven filmography, his films have, however, been a reflection of the time they were made, showing that António da Cunha Telles is, above all, an attentive spectator, not only of films, but of life.

Albert Spaggiari is arrested in Nice and brought to a judge's office for interrogation, but he escapes to South America where he meets a journalist who is investigating the event.

A director struggles with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant, she is hell-bent on getting the scene right without compromise.

A young woman visiting Paris misses the last bus home and finds herself stranded on the outskirts of Paris. Entering a local club, she meets a troubled drug addict.

Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?

It is 1654, in the South of France. When horsemen follow a runaway slave into the convent where he's taken sanctuary and kill both the fugitive and the Mother Superior, they little realise that one of the novices is the spirited daughter of retired musketeer D'Artagnan.