Film

Promises: Through Congress is a collaboration between Julie Mehretu, electronic music composer Floating Points aka Sam Shepherd, and filmmaker Trevor Tweeten. This 46-minute film features Mehretu’s expansive painting Congress (2003) and Promises (Luaka Bop, 2021), the acclaimed album from Floating Points and jazz titan Pharoah Sanders featuring the London Symphony Orchestra. Filmed on location at The Broad in Los Angeles.

Disappearance at Sea (1996) is a 16 mm colour film with sound shot on location at the lighthouse on St Abb’s Head in Berwick-upon-Tweed in northern England.

A portrait of three actors of different generations who have all portrayed Hamlet: David Warner, Stephen Dillane and Ben Whishaw.

Dean’s work is characterized by a sense of history, time and place, light quality, and the essence of the film itself. In line with these themes, the project will compose of a two-screen 35 mm film installation celebrating the quality and techniques of photochemical film. Derived from the origin of her own sister’s name, Antigone takes its starting point from the undramatized part between two of Sophocles’ three Theban plays, Oedipus Rex and Oedipus at Colonus, whose mythological character, Antigone, guides her blind and lame father, Oedipus, through the wilderness. The film will underscore the importance of film experimentation and highlight the endeavor of film, as a medium, to find a form between art, cinema and theater.

'Mario Merz' was made in San Gimignano in Tuscany, Italy where Dean was invited to a residency in summer 2002. Dean's film is a study of the ageing artist in the last year of his life. Merz is observed sitting in silence under a tree, a large pinecone in his hand. The film is ostensibly a portrait, but more importantly is a study of light in space and form in nature - central concerns in Merz's sculptural investigations.

In the centre of the gallery is a pavilion housing the 35mm film Paradise (2021), the final work of the trilogy. It is the first time that Paradise is being shown as an artwork outside of its staging in the ballet. The soundtrack is a digital simulation of Thomas Adès’s orchestrated score Paradiso. Known technically as a MIDI, the computer simulation became an invaluable tool while the orchestra were unable to record the music during the Covid-19 lockdowns. Paradise was filmed in the extended format Cinemascope and is entirely abstract, drawing on the circular and planetary motifs present in Dante’s ‘Paradiso’. The film’s rich colours were taken from the palette of William Blake (b. 1757 – d. 1827, London) and can also be seen in the ten hand-printed silkscreen prints representing the planetary states in the corridor.

A portrait of actor David Warner with hummingbirds.

The 16-minute colour film observes Hockney smoking five cigarettes and thinking about painting in his Los Angeles studio, surrounded by a series of portrait paintings that featured in his 2016 exhibition at the RA (82 Portraits and 1 Still-life)

"'Event for a Stage’ is a 16mm film I made in 2015 with the actor Stephen Dillane. I normally project the work as film inside galleries and museums, and occasionally cinemas. I have always been steadfast about showing my films in the medium with which they were made and were always intended to be shown. I have therefore never allowed them to be streamed online or ever projected digitally. Film is a very different way of making and seeing a work, and over the years, I have campaigned to keep photochemical mediums available to artists and filmmakers, and I have found that I have done this best this by continuing to make and show my works in and on film."

Recently, working on another project in Utah, Tacita Dean noticed that land in the distance was changing shape — as were the trucks moving along a distant highway. Using the little 16mm film she had in hand, she managed to film the elusive fata morgana.

Sidney Felsen, who passed away in 2024 at age 99, was a true Los Angeles institution. He co-founded Gemini G.E.L. alongside Stanley Grinstein in 1966 and spent decades overseeing, photographing, and befriending some of the greatest postwar American artists of his generation. Sidney kept a quiet, joyful ritual: decorating the envelopes that carried artists’ royalty checks, using his beloved collection of postage and rubber stamps that filled his iconic office — a room filled with photographs of every artist he had ever worked with. It was Julie Mehretu who first introduced Tacita to Gemini. Knowing Sidney’s deep affection for Julie, Dean asked him to decorate an envelope for her. The result is this poignant 14-minute film: Sidney, impeccably dressed as always, at his desk, doing what he loved most.

50 ½ minute 16 mm continuous film loop of artists Luchita Hurtado and Julie Mehretu in conversation. The idea for a film featuring Hurtado and Mehretu grew out of Dean’s incredible chance discovery, in 2019, that these two artists, both longtime friends of hers, shared the same birthday of November 28—and, moreover, that in 2020, Julie would be turning 50, and Luchita 100. Filmed over the course of a single day, January 3, 2020, in Hurtado’s Santa Monica apartment, the artists’ conversation meanders through subjects ranging from motherhood, to the environment, to their experiences immigrating to the U.S. as children, and, most movingly, to painting as a way of understanding one’s place in the world. description adapted from Jennifer King, associate curator of contemporary art at LACMA

Footsteps, clocks chiming, female voices speaking in German and dusk birdsong.

While documenting the decayed hull of the Teignmouth Electron, my companion and I drove up the other road on the hurricane coast of the small island and came across the Bubble House. Deserted and half-complete, it was built by a Frenchman who, according to the people of the island, embezzled money from the American government and was now doing 35 years in Tampa prison for fraud. Both boat and house were welcome neglect on an otherwise over pampered island and sit side by side in this exhibition as they do on Cayman Brac.

Experimental documentary about the now closed Kodak factory in Chalon-sur-Saône where they made 16 mm film.