Der Major und die Stiere

An opera company tries to get an engagement.

About how the British broke the Brazilian monopoly on natural rubber. The storyline suggests a complex relation between adventure, military conquest and imperialism.

Comedy with an Egyptian backdrop: Businessman Tobby and the Countess Stafanie wish to take all the fun away from their single parents and make them marry each other. Their parents have the same plan, too ... but with regards to their nosy kids. And so it happens, that Tobby wants to surprise the parents with the announcement of their -- the parents' -- engagement at a party (so nice to let them know), but is one-upped by Stefanie's father, the old Count, who announces the engagement of the kids. To avoid a scandal, they have to get married, but will divorce later.

A restaurant cashier, who has a mutual attraction to the restauranteur, has a secret passion for dance. As soon as she finishes work she is off down to the dance studio for a practice. She has a chance meeting with a handsome impresario, who promises to make her into the greatest dancer the world has ever known.

A dance and cinema diva, staying at an Alpine inn to relax, turns to the reserved village veterinarian and survives the dangers of the high mountains with him.

In the first of Hartl's two Mozart biographies, Hans Holt plays the robust and dashing composer who, in keeping with the spirit of the film's time of origin, sets out into the world like a soldier of art after his falling out with the Salzburg authorities. Instead of conquering lands, he conquers the hearts of young ladies, like one of his most famous creations.

Lieschen Müller wants to advance her career under the name of a revue star. Of course, the deception is discovered, but this does not hinder her rise to fame. On the contrary. The Vienna Ice Revue, accustomed to success, is in crisis and urgently needs a box office hit. Otherwise, creditors will cut off the money supply.

Two dubious characters disguise themselves as Holmes and Watson to gain attention and end up chasing counterfeiters and stolen stamps.

The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.

Helene has agreed to marry a man that she isn't in love with. On the day of her wedding her cousin arrives just in time to rescue her and they run away together. They stay with her aged grandmother who assumes the young man (whom she doesn't know) to be the new husband and has prepared a bridal bed for them.

Schalanter, once a prosperous craftsman is hit by the industrialization in Europe of the outgoing 19th century and self-inflicted negligence, he and his family - Gattin Barbara and the children Martin and Josefa - falls into considerable economic distress. More and more, the old man grabs the bottle and thus aggravates the economic situation. Schalanter is marked and predestined for a serious downfall and collapse.

In the Republic of Utopia, because of the bad economic crisis ailing the nation, the Jews are made the scapegoats for the economic and social ills affecting the population; therefore, the government decides to expel them. Leo Strakosch is among the exiled. He is engaged to Counsellor's Linder's daughter. He gets into the Republic, in a clandestine way, to show to the society the wrongness of their anti-semitic prejudice. Bettauer's novel differs essentially from the film version. "Vienna" was named "Utopia." Even a happy ending was provided.

A tense vignette about the fate of an unlucky man in poverty-stricken Weimar-era Germany.