La traviata

A warrior of the Crusades helps in the Christians' fight against Islamic invaders.

A suave gangster tries to get away from his boss with a suitcase full of heroin. Two pilots and lots of beautiful women get involved in the affair. Soon blood begins to flow.

Legendary soprano Anna Moffo stars as Lucia and Lajos Kozma plays her lover, Edgardo, in this lush production of Gaetano Donizetti's great bel canto opera. Featuring gorgeous cinematography, the film was shot in authentic Italian locations in 1971 and directed by Moffo's first husband, Mario Lanfranchi. The cast also includes Paolo Washington as Raimondo, Guilio Fioravanti as Enrico, Glauco Scarlini as Normanno and Pietro di Vietri as Arturo.

Rod Cooper, an American agent of the CIA, is sent to Paris to discover if colonel Segura, head of a clandestine organization which proclaims itself anti-Castroist, is playing a double game at the expense of the United States. He first tries to make contact with Ms Beckett, who should tell him. Segura's intentíons, but the woman is found killed. Subsequently, Rogerson, another American, presents Cooper to Segura himself and so Rod can enter his organization. Here he discovers that the colonel tries to attract a certain number of Americans to use them in an attack against the president of a state of southern America and thus promote communist expansion. Segura soon discovers Rod's real identity and tries to get rid of him; but the agent manages to reverse the situation and kills Segura in a shoot-out.

Secret agent Perry Grant is called in to investigate a strange case which involves counterfeit money, industrial espionage, and a fashion company that may be functioning as a front for a secret criminal organization.

Professor Freeman is an important English scientist that is investigating a method to treat cancer. His daughter is killed in the swimming pool of a hotel in Beirut. The case is confidential so that the mission is entrusted to the Special Agent Mikel Brown.

The city suffers and succumbs unarmed, but an ex secret agent succeeds in winning the struggle against the gangsterism. Intrigue and violence grip a society victim of the crime.

Four men killed Django's brother a long time ago. A withdrawn rancher, a notorious card player, a despotic priest and a crazy albino with an obsession for gold. The relentless Django seeks for revenge and hunts them down without mercy.

The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.

Two married women on vacation decide to see who the better seductress is. When the local authorities investigate the death of a local prostitute, their husbands do what they can to avoid trace of scandal and any implication that their wives are involved. Cracks in their relationships are revealed as is the hedonism and hypocrisy amongst the bourgeoise.

The body of Dr. Charles Berens, Chief of the United Nations Medical Relief Organization, is seen hurtling from the lofty parapet of an ancient church. He has chosen death rather than capitulate to his murderous pursuers. Police chief Colonel Ferrer (Andrew Faulds) arrives in time to hear the dying Berens last words: "July the 18th! The One Eyed Soldiers."

A bankrupt Italian count commit suicide and one of his creditors takes over his family villa but he allows the widow, the mother, and the three adult sisters to stay on. The creditor is a wealthy businessman, but also basically an uncouth peasant (who fancies himself an opera singer). Still, the dimwitted, sex-crazed sisters try to seduce both him and his shy, virginal son who accompanies him.

Countess Elena marries the charming Guido Rambaldi, only for him to be seduced by dancer Nara during their Venice honeymoon.

Italian TV production of the Bellini opera

Mario Lanfranchi directed this film adaptation, starring Anna Moffo.

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.