Whatever Will Be, Will Be

A cop in the Hong Kong anti-smuggling unit goes to mainland China to retrieve some confiscated contraband. His real objective, though, is to arrest the boss of the smuggling ring. His goal is endangered, though, when he falls for the gang boss' daughter.

Wang Shuangli is Deputy Director of the local Cultural Centre, and hopes to be appointed Director. However Old Ma is brought in from the country and installed as Director. This starts a long train of events with Wang's cronies using the bureaucracy to try to oust the new director.

Taiwanese drama film.

Chang Yau-Wai is a family committed news reporter. Together with his wife, they have their hands full with their children, including their soon to be wed daughter. Things, however, soon take a turn for the worst.

Marriage is a tomb of love? This film depicts the struggle of modern man to choose between bachelorhood and marriage. A sensitive yet comical look at love and commitment between men and women in the '90s. Chronicling the lives of a typical yuppie couple, Charcoal (Lau Ching-Wan) and Veronica (Ron for short) (Anita Yuen). Anita's goal in life is to have a baby, which certainly is not Charcoal's goal. Anita's best friend Ada (Lai Mei-Han) and her husband (Dayo Wong) are having a baby at the same time. However, Dayo surprisingly is a womanizer which leads to problems between the couple. In addition, Charcoal's ex-fiance Joyce (Annabelle Hui) is always around the corner.

Unable to make it as a commercial success because he staunchly refuses to sell out, a struggling Hong Kong musician rediscovers his love of music and regains an interest in his life's meaning through his relationship with a dying girl.

The story about a young, unemployed man, who after being kicked out is desperate enough to live anywhere. He is directed to Fatso, who owns the caged establishment, and is given a living space.

Yuen scorns his father, who he thinks is too generous and forgiving. Through a flashback/time travel gimmick, Yuen meets his parents during their joyous courtship. Yuen comes to understand and admire his dad, and reflect on his own moral defects.

Wing is a devoted fan of popular singer Rose who is involved in a topsy-turvy relationship with her charismatic producer Sam. Willing to go to any length to meet Rose, the willowy Wing disguises herself as a man, and with a twist of fate is chosen to be the next budding star for the record company.

Teddy Robin Kwan’s 1960s retro musical. A melodrama about two childhood best friends who rise to the top of the Hong Kong pop scene under the influence of their mentor, Johnny K (Teddy Robin Kwan), who once ruled the pop scene himself.

Identical twins are separated at birth, one becoming a streetwise mechanic, and the other an acclaimed classical concert conductor. Finally meeting in adulthood, they're mistaken for the other and entangled in each other's worlds.

A widower named Baldy (Karl Maka) longs for his lovely neighbor, but is unable to summon the courage to tell her until another man enters the picture and forces his hand. Knowing that Mak, the middle-aged newspaper editor, often misses his late spouse, his beloved children persuade him to date Siu Fung, the singer who lives next door. At this moment, Siu Fung's cousin, Uncle Sam, returns from the States and proposes to marry Siu Fung. One day, dispute happens between Sam and Mak which makes Siu Fung mad with Mak..

Outwardly, Lam takes pride in his job teaching Chinese literature at an elite school and in his caring wife and two sons. But deep down, the forty-year-old wrestles with unfulfilled desires stoked by jealousy over his friends’ professional successes and the advances of a flirtatious student. The sudden return of his former mentor finally upsets this delicate balance, forcing Lam to unearth the long-hidden truth about who he is and gain a new perspective on how to live the rest of his life.

Derek Chiu Sung-kei directs this low-budget yarn about a mild-mannered grocery store clerk named Sardine (Dayo Wong Chi-wah) who lives a highly ordered life in an apartment filled with canned goods. His equilibrium is smashed when his landlady evicts him to make way for her daughter Anna (Irene Wan Pik-ha) to move in. When the middle-aged woman keels over from a bad combination of Panadol and liquor, Sardine believes that he is responsible for her death and tries to hide the body. Trouble ensues when Anna finds the corpse in Sardine's apartment while Sardine contends with a devious fellow employee who tries to get him canned from the supermarket.