Ghost Game

Set in 1939, the early days of World War II in Siam, to Angsumalin meeting one last time with her childhood friend, a young Thai man named Vanus. He is leaving for England for his studies and hopes that Angsumalin will wait for him and marry him when he returns.

1 accident, 3 incidents, 3 horrors, 3 days that marked the beginning of love until death do us part. It happened during the 11th, 12th, and 13th April which is during the Songkran festival.

This debut film harks back to the moral debate that has dominated Thai popular culture for the past twenty years. Two boys from a working-class family grow up as best friends. One is the son of a farmer, the other of a Thai-Chinese greengrocer. In a childhood scene, we see the boys wondering how to get ahead in life. Instead of the usual options - showbiz or Thai boxing - they choose to follow in the footsteps of their fathers: one wants to become a rowing champion and the other leader of a dragon dance group. The film is a simple moral tale of fathers and sons, good and bad influences, honor and shame. The screenplay breathes the atmosphere of early Thai cinema with a strong melodramatic tone, but its exaggeration and predictability are offset by the dynamic camera work and editing, the decent acting and the unusual glimpse into the world of the Chinese minority in Thailand.

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