The Lighthouse by the Sea

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

Mr. Norton discovers his wife in the arms of his neighbor, Captain Roberts, a married man. His first maddened impulse is to kill his faithless wife, but on his way for the gun his little child runs to his arms to say good-night. The incident unnerves him and his wild determination is destroyed. He decides upon another course. He goes to Mrs. Roberts and tells her that he intends to ruin the Captain's home as her husband had ruined his, and that unless she consents to elope with him at ten o'clock that night he will shoot her husband on sight.

Made by the Edison Manufacturing Company and directed by Edwin S. Porter, the film starred Gladys Hulette as Alice. Being a silent film, naturally all of Lewis Carroll's nonsensical prose could not be used, and, being only a one-reel picture, most of Carroll's memorable characters in his original 1865 novel similarly could not be included. What was used in the film was faithful in spirit to Carroll, and in design to the original John Tenniel illustrations. Variety complimented the picture by comparing it favorably to the "foreign" film fantasies then flooding American cinemas.

While in a park, a young woman sees her fiancé being quite affectionate with another woman. When she calls him on the telephone to demand an explanation, he tells her that it was his sister. She is not satisfied, and insists on coming over to meet his 'sister'. As the young man broods over how to get out of trouble, an old college friend comes over, and he offers to pretend to be the sister. At first this works, but soon it has created even more complications.

Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.

Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...

Chollie and George compete for a young woman's affection, using trickery and sabotage.

Two members of a vigilante group known as 'The White Caps' post a warning sign on a man's home. When the man comes home, he tears down the sign, and then proceeds to abuse his wife both verbally and physically. As soon as she can get away from him, the wife leaves home with her child to find a place of refuge. When the vigilantes find out about this, they arm themselves with rifles and immediately go to confront the abusive husband.

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.

Two groups of young women get into a pair of horse-drawn carts, and go off for a straw ride through the snowy streets. As they pass by a group of children, the children throw snowballs at the riders, and they and other persons begin to join in the fun. Then one of the carts tips on its side, spilling some of its occupants into the snow. Everyone soon decides that they enjoy playing in the snow even more than riding.

A poor boy named Tom Canty and Edward, the Prince of Wales exchange identities but events force the pair to experience each other's lives as well.

A well-dressed woman leaves her home and takes a carriage to a department store. While she is in the store, she steals several items, and is caught by store employees. Meanwhile, a poor woman with two small children steals a loaf of bread out of desperation, and she is quickly caught and arrested. Both women are taken to the police station and then into court, to see what penalty each of them must face.

A broken-hearted husband thinks about the past as he sits by the fireplace.

A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.