Every Girl Should Have One

Buffalo Bill Cody battles a gang of outlaws secretly headed by an unscrupulous lawyer.

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Josh is a young boy who feels neglected and misunderstood at home. Preparing to run away, he chances across an old diary once kept by his grandfather. Leafing through the yellowed pages, Josh discovers that Grandpa went through many of the same childhood travails that he is enduring at that moment. Armed with a renewed understanding of and appreciation for his elders, Josh decides to stick around for a while and see how things develop.

A crook on the run hides out in an innocent girl's apartment.

In this trans-species remake of Lassie, Come Home, a faithful horse undertakes a perilous journey to return to the family it loves.

Perry Ashwell is a self-satisfied child psychologist who takes his colleagues and wife somewhat for granted. So confident is he of his position that he introduces rich attractive painter Octavio Quaglini to his office and home. Quaglini is no respecter of convention, and April Ashwell is extremely attractive.

Marshal Landry captures outlaw Girard and bringing him in finds a woman and two children, the only survivors of an Indian attack. Later, transferring the prisoner his brothers free him. Then a stage is robbed of a silver shipment by Girard and his brothers. Examining telegrams gets Landry a confession from Girard's girlfriend. The telegraph line has been tapped and the telegrapher is the supposedly dead husband of the woman he brough in. Now knowing Girard's location he sets out after him.

David Marshall Williams is sent to a prison farm where he works in the tool shop and eventually develops the precursor of the famous M-1 Carbine automatic rifle used in World War II.

Wide-eyed and poor young Leonora weds an obsessive millionaire named Ohlrig, but the marriage is loveless. Even worse, Ohlrig seems to have manic, violent tendencies. Eventually, young Leonora escapes her unhappy life and begins working with New York City doctor Larry Quinada, who she soon falls for. Unfortunately, Ohlrig refuses to grant his wife a divorce, and things get even darker for Leonora when she realizes she's pregnant with his child.

The series initially starred veteran movie supporting actor Ward Bond as the wagon master, later replaced upon his death by John McIntire, and Robert Horton as the scout, subsequently replaced by lookalike Robert Fuller a year after Horton had decided to leave the series. The series was inspired by the 1950 film Wagon Master directed by John Ford and starring Ben Johnson, Harry Carey Jr. and Ward Bond, and harkens back to the early widescreen wagon train epic The Big Trail starring John Wayne and featuring Bond in his first major screen appearance playing a supporting role. Horton's buckskin outfit as the scout in the first season of the television series resembles Wayne's, who also played the wagon train's scout in the earlier film.

Family man Jim Anderson copes with the everyday problems among his wife Margaret and their three children as they experience day-to-day changes.

This 1959-1963 television situation comedy series follows the lives of the Mitchell family, Henry, Alice, and their only child Dennis, an energetic, trouble-prone, mischievous, but well-meaning boy, who often tangles with his peace-and-quiet-loving neighbor George Wilson, a retired salesman, or, later, with George's brother John, a writer. Dennis is basically a good, well-intentioned boy who always tries to help people, but who winds up making situations worse – often at Mr. Wilson's expense.

As told to a psychiatrist: Mr. Peabody, a middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in the vicinity, he catches...a mermaid. He takes her home and, though she has no spoken language, falls in love with her. Of course, his wife won't believe that the thing in the bathtub is anything but a large fish.

A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, and when her protector is accidentally killed, they go on the lam together, getting jobs as farm labourers. But some fellow workers get wise to them.

Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.

Cheyenne Bodie was a big man, a former army scout who went west after the American Civil War and drifted from job to job, here a cowboy, there a lawman, and always a larger-than-life hero. CHEYENNE is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.