Hostias (Un amor de película)

It traces the history of foreign debt from its beginnings, exposing the fraud behind it. Based on the lawsuit filed (and won) by Alejandro Olmos against the state, when he felt harmed by the foreign debt. A historical document.

Margarita, a single mother, falls in love with a transvestite. A violent police officer swears revenge, and Miki, the father of Margarita's child, returns home.

Iván returns to Argentina to scatter his father's ashes at sea. For the first time in a long time, he confronts himself and his loneliness. Although a successful businessman, he no longer aspires to anything; he has fulfilled all his desires in life. But his father's death unsettles him and forces him to see himself in a new light. Sofía is a sensitive woman who hides behind her work. Intellectual yet practical, she has lived her life with extreme independence. They shared a past love and now meet again at the hotel that Ceci, Iván's girlfriend, has chosen to stay at, overlooking the sea where they will scatter the ashes. A chance encounter and unexpected appearance will entangle and alter the course of everyone's lives in the blink of an eye, in the most tender and captivating way.

Argentine 40-year-old Laura, visiting Cuba for the first time on business, is divorcing her husband back in Buenos Aires. She's soon involved with smooth-talking cab driver Frank. Garment manufacturer Francisco, having lost his wife, children, and home, has traveled to Cuba to kill himself, but Frank's mother realizes that Francisco is the teenage lover who got her pregnant. In other relationships, a gay couple argue over whether or not to remain in the closet, and two documentary filmmakers have career conflicts.

Franco is a young man in search of his identity who appears after the death of his mother to meet his biological father. Malva is a young woman who has a magnetic attraction in men who know her. Oscar is a finance executive who lives immersed in transactions and excessive ambitions. The three will find themselves in an unexpected coexistence.

Pablo and Mariana, a young creative couple expecting their first child, discover Pablo is HIV positive. The news forces their separation. Pablo turns inward towards an ever increasing isolation. Mariana works with her theater students on the fears and prejudice of the new generation. Their child brings them back together again and they find a common goal in life.

Ten stories that begin the same way: a couple enters a love-hotel room.

Before dying, Jenny's mother writes four letters for each of the stages her daughter will live without having her at her side. After an early pregnancy and a marriage that ended in failure, Jenny opens the fourth card, which will lead her to Israel.