Summer League

More than 300 fans from 9 different countries joined together to remake Back to the Future Part II during the COVID-19 quarantine. The film was split into 88 scenes with 88 teams producing their segment using available resources all while obeying local social distancing guidelines. The result is an absurdly fun, wild ride that sees everything from pro-level live action to killer animation to... bananas and potatoes used to bring Back to the Future Part II to life all over again.

Ash, Shannon, and Wendy are all late. You know... LATE. As their collective anxiety grows, they band together to face their fears, confront the potential fathers, and egg a car or two. All part of the world's first maybe shower.

A Texas tech start-up breaks every crowdfunding record in the books, but they lose it all when a patent troll shuts them down. Refusing to go down without a fight, our heroes use a legal loophole to beat the trolls at their own game. By obtaining a patent for BEING a patent troll, they're able to... troll the trolls.

Alone on a camping trip in a national forest, a woman must overcome the threat of a serial killer and a supernatural being to survive.

After several years of sexual dysfunction, Ada and her boyfriend, Calvin travel to her hometown in rural Oklahoma in hopes of piecing together her fragmented childhood memories. They find their answers, but can they find their way back home?

MARKS follows Mark Prospero, a Portland arcade manager who brings a local indie wrestling promotion into Rocky’s Arrcade for a one‑night show. He hopes the event will boost business and give him a chance to confront his former backyard rival, Mark San Antonio. As the day unfolds, a storm knocks out the power, fans start fighting over replica belts, and Mark’s complicated personal life collides with the spectacle happening in the ring. What begins as a petty attempt at revenge becomes a story about fandom, obsession, and the moments that define us. MARKS blends indie wrestling energy with Shakespearean forgiveness and day‑in‑the‑life comedy, exploring how we move forward without letting go of the stories that made us.

Destroy All Humans is a documentary exploring AI’s rise in art and media through an existential, experimental lens. At its center is HOVERBORG, a fictional band whose AI-generated music sparked questions about creativity and authenticity. Through interviews with musicians, artists, and media professionals, the film reflects on the unsettling shift toward hyperpersonalized media and asks: In a world shaped by algorithms, will we still recognize ourselves in the art we consume?