Bloody Night

After the passing of one of his friends, João remember's the summer he had with his friends when he was 12 years old.

Two friends, Nuno (Pedro Laginha) and Flash (Miguel Borges) live together and decide to rent one room of the house in order to have more money to pay the rent. that's when they meet Carla (Maria João Bastos) who might change their lives forever.

A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

After the structural collapse at a construction site, Paulo loses his job because he denounces the situation to the authorities.

Political comedy series about the political advisers of the ministerial cabinets and the opposition and their connivance with economic and political interests that determine how decisions are made.

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

The economic crisis, a teddy bear with suicidal tendencies named Judy Garland, the Discovery Channel, a black panther and the Russian playwright Anton Tchekhov are all part of the heroic adventure of a little girl who has a problem to solve.

A pagan tradition in a village in the countryside of Portugal leaves painful traces in a group of young teenagers. 25 years later, when they meet again, the past resurfaces and tragedy sets in.

A small town in Portugal becomes engulfed in a web of political intrigue when a young engineer is recruited as a KGB spy in this historical thriller.

Chorus is film about death, absence and how close they are to us. Based on a theater play by Tiago Rodrigues.

After a sink full of soapy water empties through a gurgling drain, a finger appears from underneath: Zé, a plumber, is at work. Eva, the lady of the house, interrupts him wearing little but a smile. She coaxes him out and seduction begins, interrupted by the surprise arrival of her lover, Carlão, a gun-toting criminal. Zé hides under the sink, watching through the drain hole as Carlão gives Eva a valuable necklace and makes love to her. Carlão is called away abruptly on business only to have his enemy Zim arrive a minute later to claim the necklace. Zé's still under the sink observing as mayhem descends on the kitchen. Will it end with a bang or a whimper?

An urban family inherits an old country house located in a small village. Upon their arrival they try to adapt to the new lifestyle, but they soon learn that the village is overshadowed by superstition and mysterious folklore. As they are plagued by strange events, they learn more about the history of their family, and slowly begin to believe by inheriting the house, they also inherited a curse.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

In a new land where everyone receives a new name and begins again without a past, Simón takes responsibility for David, a child he met on the crossing to a new life. Driven by an inexplicable conviction, he sets out to find the boy’s mother despite the fact David remembers nothing about her. When he recognizes Inés as the right woman, she accepts the role and an unlikely bond forms between them. While society imposes rules and treats difference as a threat, David resists being shaped and stands for imagination and freedom.

Tiago Guedes returns to Dennis Kelly, the British playwright with whom he has already enjoyed success in his dizzying descent into the depths of human complexity. After Órfãos, the director and stage director now tackles The Ritual Slaughter of Gorge Mastromas, a 2013 text about the banality of evil in the person of the man that Kelly's play scrutinizes in retrospect: "Existence is not what you thought it was until now. It is not honest, it is not kind, it is not fair. Most of the world has no idea about this; they believe in God, or Daddy, or Marx, or the invisible hand of the market, or honesty, or kindness. They go through life with their eyes closed, getting beaten up and screwed over. He's like that. You're like that. But a tiny part of us, let's call ourselves the resistance, knows the true nature of life. The world is ours for the taking. We are powerful and rich and have everything, because we will do whatever it takes.

In a subway station, while waiting for his journey to continue, a boy talks with God about the creation. An informal conversion about the real dimension of our existences and personal demands, reminding us that we are just a small part of something bigger and nothing is as important as we believe it is.