Dreaming Lips

A lighthouse keeper's wife shelters her fugitive lover.

A Spanish nobleman raises his only daughter as a boy, similarly to Greta Garbo in Queen Christina (1933). In adulthood, Juana's upbringing causes complications in her love life. Possibly an early example of genderqueer representation.

Based on Honore de Balzac’s story of Madame de Langeais. Costume drama about the infamous loves of the countess.

Classic ballet by Kenneth MacMillan to the music of Prokofiev.

The legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by The New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assist Baron Ochs by delivering the Baron's proposal of marriage to the beautiful young Sophie, the messenger and bride-to-be fall in love with each other!

Dreaming Lips was lovingly assembled by filmmaker Paul Czinner as an "ideal" vehicle for his popular actress wife Elizabeth Bergner. The star plays Gabrielle, the glamorous, spoiled wife of world-famous orchestra leader Peter (Romney Brent). Left alone by her constantly touring husband, she inaugurates a romance with brilliant but reclusive violinist Miguel de Vaye (Raymond Massey).

Paul Czinner recorded, using a multiple cameras technique, the performance of prima ballerina Galina Ulanova of the Russian Bolshoi, doing "Giselle, " while the troupe was on tour in England in 1956.

While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.

Adapted from the best-selling novel by K. J. Benes, A Stolen Life serves as a tour de force for German actress Elizabeth Bergner, whose husband Paul Czinner directed the film. Bergner stars as identical twins Sylvina and Martina, whose mild sibling rivalry intensifies when one of the girls tricks the other's sweetheart Alan McKenzie (Michael Redgrave) into proposing to the wrong twin.

Girl dressed up as a boy falls in love with a painter.

A couple are at the theatre with a playwright friend. At the end of the play the jealous husband strangles his wife to death. When the play ends, the man talks to his friend about such a nonsensical finale, telling the author that no man with any sense ever gets jealous enough to choke his wife in these modern times. The playwright decides to test this supposedly perfect couple about their happy feelings for each other.

Romantic quadrangle involving two brothers, one a burgeoning ballet composer; a willful heiress; and a waif.

The woman who will become Catherine the Great marries into the Russian royal family when she weds Grand Duke Peter, the nephew of Empress Elizabeth. Although the couple has moments of contentment, Peter's cruel and erratic behavior causes a rift between him and Catherine. Mere months after Peter succeeds his aunt as the ruler of Russia, a revolt is brewing, and Catherine is poised to ascend to the throne as the country's new empress.

Ariane was Hungarian director Paul Czinner's first talking picture. Starring in the title role is Czinner's charming wife, Elizabeth Bergner, likewise making her talkie debut. Young, naive Ariane sets herself for an emotional fall when she falls in love with Konstantin (Rudolf Forster), a much older and very married businessman. For his part, Konstantin regards the girl as just another harmless fling -- until he realizes a shade too late that he's really in love with her after all. Filmed in German, Ariane was simultaneously lensed in an English-language version, The Loves of Ariane.

A wife, bored by her overweight slob of a husband, gives in to the temptation of a slickly seductive poet.

Film version of Shakespeare's comedy of a young woman who disguises herself as a man to win the attention of the one she loves.