Switching Channels

Pulled from actual case histories and utilizing newsreel and documented narratives, the activities of spies from various countries are depicted as far back as the American Revolution and as recent as the Cold War.

Jacko, a respected union man, is fighting for the promotion of a Jamaican colleague to chargehand, but when his daughter brings home her black boyfriend, he realises that racial prejudice is rife within his own home. This powerful drama exposes the deep-seated racial tensions hidden in British family life during the late 1950s. Written for the stage by Unity Theatre's Ted Willis, this television recording was filmed a few weeks after the play's successful West End run, and most of the stage cast repeat their roles here, including the terrific John Slater, Andree Melly and Lloyd Reckord. The drama's interracial kiss is probably the first to be shown on British TV.

Just Like That: A receptionist in a large firm cheats on her voyeuristic lover with a delivery boy who has a crush on her. Another Woman's Lipstick: A young wife discovers lipstick on her husband's collar. She follows him, meets his mistress, and has a lesbian fling with her. Talk To Me, Baby: A man caught cheating in a bar by his wife admits his past dalliances on the drive home, which gets his wife aroused.

Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.

A young schoolteacher descends into personal moral degradation after finding himself stranded in a brutal, menacing town in outback Australia.

ITV Playhouse is a British comedy-drama TV series that ran from 1967 to 1983, which featured contributions from playwrights such as Dennis Potter, Rhys Adrian and Alan Sharp. The series began in black and white, but was later shot in colour and was produced by various companies for the ITV network, a format that would inspire Dramarama. Actors appearing in the series included Leslie Anderson, Gwen Nelson, Ricky Alleyne, Pat Heywood, Michael Elphick, Ian Hendry, Edward Woodward, Margaret Lockwood, Jessie Matthews and Lloyd Peters.

Anthology series of dramatic works.

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

A monologue of a woman talking on the phone with her longterm lover who is about to marry another girl.

A semi-fictional account of life as a professional football player. Loosely based on the Dallas Cowboys team of the early 1970s.

When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.