White Man's Country

In October 1952 the British government declared a State of Emergency in Kenya. Its object: the defeat of "Mau Mau." In the war that followed, fewer than 40 of Kenya's 40,000 white settlers were killed while more than 15,000 Africans lost their lives, and hundreds of thousands more were arrested and subjected to a humiliating and often brutal process of "rehabilitation." But what was Mau Mau? A movement based, according to the British Colonial Secretary, on a "perverted nationalism and a sort of nostalgia for barbarism"? Or the Land Freedom Army, an organized political and military response to repression and armed aggression? Using newsreel and previously inaccessible archive footage, and drawing on interviews with participants on both sides, Mau Mau examines the myth and the reality of Africa's first modern guerrilla war.

Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.

The Bakhtiari migration is one of the most hazardous tests of human endurance known to mankind. Every year, 500,000 men, women and children — along with one million animals — struggle for eight grueling weeks to scale the massive Zagros Mountains — a range which is as high as the Alps and as broad as Switzerland — to reach their summer pastures.

In October 1952 the British government declared a State of Emergency in Kenya. Its object: the defeat of "Mau Mau." In the war that followed, fewer than 40 of Kenya's 40,000 white settlers were killed while more than 15,000 Africans lost their lives, and hundreds of thousands more were arrested and subjected to a humiliating and often brutal process of "rehabilitation." But what was Mau Mau? A movement based, according to the British Colonial Secretary, on a "perverted nationalism and a sort of nostalgia for barbarism"? Or the Land Freedom Army, an organized political and military response to repression and armed aggression? Using newsreel and previously inaccessible archive footage, and drawing on interviews with participants on both sides, Mau Mau examines the myth and the reality of Africa's first modern guerrilla war.

Long before the first Intifada drew international media to focus on Palestinian life under Israeli rule, David Koff produced this in-depth portrait of the daily conflict being waged in Israel/Palestine. It was recently rediscovered. With a combination of candid interviews and remarkable historic footage, Occupied Palestine unpicks the strategic and ideological motors of Israeli rule in Palestine, powerfully depicting that the roots of today's crises were firmly planted in the ground decades ago. Met with bomb threats and censorship on its initial release in the US in 1981, Occupied Palestine remains a singular work of engaged filmmaking and a unique record of an overlooked chapter in the course of the conflict.

Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.

A documentary illustrating the black community's understanding of, and response to, racism in Britain. It presents from a black working class perspective, an analysis of racism within the context of British history and the post-war crisis of the British economy. At the same time the film reflects the increasingly militant response within the black community to the continuing attacks upon it, both by organised fascist elements on the streets, and by the state itself.

Half a million people and millions of sheep and goats cross the rugged Zagros mountains in southern Iran twice yearly to move between summer and winter pastures.