Man with a Movie Camera

Three Heroines

Follows the legendary female pilots Raskova, Osipenko, and Grisodubova in their failed but magnificent attempt to make the first nonstop trans-Siberian flight. Using documentary reenactments, Vertov depicts the flight, the crash, the rescue, and the women’s heroic return to Moscow, where crowds shower them with flowers, and leaders with speeches.

Anniversary of the Revolution

A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.

A Sixth Part of the World

Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".

Kino-Pravda No. 16: Spring Pravda. A Lyrical View Newsreel

Dziga Vertov-directed Soviet newsreel covering: Arts and crafts exhibition / Actions against hunger / Eisenstein's first film "Dnevnik Glumova" ("Glumov's Diary") / Young Pioneers / May 1, parades

Stride, Soviet!

Commissioned by the Moscow Soviet as a documentary and information film for the citizens of Moscow prior to municipal elections, film is a tableau of Soviet life and achievements in the period of reconstruction following the Civil War of 1917-1921.

Lluvia de jaulas

Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.

Kino-Pravda No. 18: A Movie-Camera Race Over 299 Metres and 14 Minutes and 50 Seconds in the Direction of Soviet Reality

Dziga Vertov-directed Soviet newsreel covering: Up the Eiffel Tower in Paris / Moscow / Auto race Petrograd – Moscow / Aspects of everyday Soviet life / Peasant from Jaroslavl' visiting Moscow / Ceremonial introduction of a newborn into a workers' collective

The Brain of Soviet Russia

This film shows the leaders of organizations that emerged after the Russian Revolution. It is the fragment of ‘Anniversary of the Revolution’ made by Vertov in 1918.

The Eleventh Year

The film is dedicated to the achievements of the Ukrainian SSR for the eleventh anniversary of the October Revolution.

Kino-Pravda No. 9

Dziga Vertov-directed Soviet newsreel covering: Congress of the "Living Church" / Opening of the horse racing season / Demonstration of an American movie camera / Operation of mobile projection units.

Kino-Pravda No. 8

Dziga Vertov-directed Soviet newsreel covering: A bet is placed on the outcome of the Trial of the Socialist Revolutionaries / The verdict / People in streetcars and on the street / A crashed aircraft / Reconstruction of streetcar line 13 / Peacetime use of tanks – airport construction work.

Kino-Pravda No. 14

Dziga Vertov-directed Soviet newsreel covering: IV. Congress of the Comintern / Congress of the Profintern.

Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About Lenin

Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death

Kino-Pravda No. 1

Dziga Vertov-directed Soviet newsreel covering: Starving children / Requisitioning of valuables possessed by the Russian Orthodox Church / Fundraising flights in support of the hungry / Trial of the Socialist Revolutionaries.

Soviet Toys

The first animated movie made in the Soviet Union, it portrays a bloated caricature of a Capitalist devouring a massive heap of food and drink.

Kino-Pravda No. 23: Radio Pravda

Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.