Los días del pasado

A former soccer player is morally and mentally destroied by the death of his wife. But when he gets the chance to train a team he regains his life by making victories and also finding another love.

In 60s Extremadura, Paco el Bajo and his relatives work during day in a farmhouse, and silently suffer submission to their masters, who exploit them and treat them almost like animals. Meanwhile, Paco dreams that one day his children will be able to study.

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

In the mid-19th century, California, a Mexican territory, became part of the United States. Faced with the possibility of being dispossessed of his land by the new authorities, Don César de Echagüe, a Spanish nobleman, asks his son César, a capricious and insufferable fop, for help.

Raphael plays a singer who searches for his classical pianist brother in Buenos Aires, with the brother eventually revealed playing in the squalid bar.

The painter Francisco de Goya is witness to the disasters and horrors caused by the bloody resistance of the Spanish people to the French occupation during the Napoleonic wars.

After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.

In the empty house of his family, Ramon, a poet, remembers the last day of the life of his master: the last time he went out with his friend don Latino de Hispalis, his talk with a minister and his dinner with Ruben Dario.

The aristocrat Juan de Santa Cruz meets Fortunata, a girl of humble origins, and a passionate love arises between them; but his mother decides to marry him to her niece Jacinta.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

No blood, no money! Fights, acrobatics, jumps and death were the daily routine of the "old school" Spanish stuntmen and their coordinators. Their profession did put a price on their lives: the higher the risk, the higher the reward.

A group of friends who are struggling to survive in the slums of Madrid commit petty crime in order to finance the debut as a bullfighter of one of them.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

An autobiographical account that is also the history of Spain during the dark years of the first half of the twentieth century. Spanish writer Arturo Barea (1897-1957) narrates his childhood in Madrid, his harsh experiences in Morocco during the Rif War and his political commitment to the Republican side during the Spanish Civil War.