Black Roots

A clergyman seeks a donation from a banker in this short slapstick comedy.

The documentary looks at interracial marriage between black men and white women and the problems and issues associated with it. Featured are black civil-rights worker James Collier and his wife, a white woman.

Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.

A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.

Lionel Rogosin's plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party's mundane chatter. Good Times, Wonderful Times was released in 1964 at the height of the Vietnam War, and became one of the great anti-war films of the era.

The passionate final documentary from Lionel Rogosin, in which Palestinian poet Rashed Hussein and Israeli writer Amos Kenan seek dialogue toward a possible solution to the never-ending conflict. Never before have both sides discussed a mutual problem so frankly, and so willingly. Rogosin provides an open forum for two formidable intellects to discuss the fates of their nations, and the ever-receding possibility of peace.

Oysters Are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations. Utter foolishness abounds in short skits that range from an employment interview with an applicant whose previous experience has left him physically uncontrollable, and an unsuspecting golfer who arrives for a first lesson, to scenes of mayhem with a hammock and a chinese lantern masquerading as an artificial kidney.

Film on the refugee situation in Austria as a result of Hungarian Revolution of 1956.

The sixth and final feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film looks at workers who organize to resist exploitation by pulpwood corporations.