And... We've Got Sabor

An illustration of the difficulties women encounter when they seek to achieve economic integration and equality with men in a country at the height of revolution.

Prenatal care and the advice for pregnant woman to enable a safe and healthy birth.

Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.

Loose collection of individual portraits of the inhabitants of the Isle of Pinos (now Isla de la Juventud), who tell their stories, share ideas and discuss topics such as racism and crime.

Childcare centers and their importance in child development.

Activities of the transit authority and plan for reeducation of those punished for traffic offenses.

Documentary that reflects the development of tobacco production in Pinar del Río.

A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.

A short poetic evocation by Sara Gómez of Isla de Pinos, the island where Fidel Castro was imprisoned by Batista, where the revolution builds a new society. A juxtaposition of the Presidio Modelo prison with citrus production.

Opinions of workers of the textile industry on the theses of the XIII Labor Congress of the CTC.

About the election in assembly of the President of the Poder Popular (Popular Power)

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

In Miraflores, Cuba, the growing romance between Mario, a factory worker, and Yolanda, a schoolteacher, throws into relief the differences in their perspectives and values in Revolutionary Cuba.

In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.

A Haitian son returns from fifteen years in Cuba to find his home village afflicted with the double plague of drought and strife. A Cuban production from the director of Memories of Underdevelopment. In Spanish.

The year is 1985. Oliver, a boy with an overflowing imagination, moves with his family to the southernmost corner of Europe, just as Halley's Comet is about to pass by. These events will mark a before and after in the emotional life of Óliver, who will look to the stars for the solution to his problems in the new school, in the neighborhood and at home. To make matters worse, his grandfather, nicknamed "el majara" is encouraged to help him interpret the comet's message and take a step forward in his new Universe.