Foregrounds

Foregrounds

PG 1978 · 13 min · ★ 7.9 · Documentary

"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice

Directed by Pat O'Neill

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Coreopsis

Coreopsis · 1998

MovieDocumentary

"O'Neill found an envelope labeled 'Helen's Coreopsis' with seeds from a 1935 visit his mother had made to her sister in Nebraska. His film COREOPSIS was made by scratching into developed and discarded pieces of film stock revealing pink, yellow and clear layers. This remnant of his memory of her is performed and inscribed in these excised layers." - Erika Suderburg

The Last of the Persimmons

The Last of the Persimmons · 1972

The Last of the Persimmons

MovieDocumentary

LAST OF THE PERSIMMONS opens with a black-and-white image of a main inflating helium balloons in the shape of rabbits. Onto this image Mr. O'Neill places two mirror images an old Fleischer-style cartoon elephant comically licking its mouth as if in anticipation of yet another layered image, that of a ripe persimmon. —Manohla Dargis, "In the Studio's Shadow, An Avant-Garde Eye," The New York Times, 11/8/2004

Down Wind

Down Wind · 1973

MovieDocumentary

A thoughtful treatment of some of the problems we (mankind) have been having in dealing with our fellow species, animal and vegetable. Actually an undercover "structural" film, this one seems at first to be some sort of berserk travelogue. I spent years going to travelogues as a child, and still have a great fondness for visiting natural history museums in strange cities.

By the Sea

By the Sea · 1963

MovieDocumentary

"Muscle Beach is a fascinating location for people-watching in the L.A. area, and in 1963, the strangeness of its sights was much more pronounced than today. Pat O’Neill’s first film (made with Robert Abel) progresses from humorous, curious observation to energetic, graphical interaction with the sights and sounds of Santa Monica’s famed beach." —Mark Toscano. Preserved by the Academy Film Archive in partnership with Pat O'Neill in 2007.

The Decay of Fiction

The Decay of Fiction · 2002

The Decay of Fiction

The Ambassador Hotel in Los Angeles serves as the backdrop of Pat O’Neill’s artfully-crafted film. Shot in the classic Hollywood style, the movie follows various mysterious characters as they move through the haunted halls of the hotel, exploring along the way the secrets that are held within.

Horizontal Boundaries

Horizontal Boundaries · 2008

Horizontal Boundaries

MovieDocumentary

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

Water and Power

Water and Power · 1989

Water and Power

MovieDocumentary

A reflection between nature and man in Los Angeles about the city's surroundings' desertification due to enormous water consumption.

Harvest: 3,000 Years

Harvest: 3,000 Years · 1975

Harvest: 3,000 Years

In this meditative film the everyday lives of poor Ethiopian peasants are shown using documentary as well as storytelling techniques, with its drama arising out of the timeless yet persistent issues of their lives.

Runs Good

Runs Good · 1971

A darkish journey down memory lane, to visit some news events, folkways and thought patterns associated with the late forties and early fifties. The film is also concerned with such perceptual phenomena as color-space, "false tones" caused by varying black-white alternations of simultaneously seen rhythms set up by multiple repetitive actions, and the use of image outlines as "containers" for other imagery. Sort of a working notebook, which is continued in EASYOUT and DOWN WIND.

Saugus Series

Saugus Series · 1974

Short film of 7 sections with each one using a different experimental film technique.

Easyout

Easyout · 1972

MovieAnimationDocumentary

Has to do with a consideration of one possible conceptual model for human existence: that of a primitive form of yardchair, upon which sits The Creator, impassively observing the inexorable flow of His mountains.

The Groove Tube

The Groove Tube · 1974

The Groove Tube

Television programming takes it on the chin in this ribald spoof of the networks.

Bump City

Bump City · 1964

MovieDocumentary

"Bump City is a colour film about the symbolic destruction of Los Angeles. It was never a very finished film, but it was about signs and advertising, redundant communications and manufacturing, waste and monotony." —Pat O'Neill. Preserved by the Academy Film Archive in partnership with Pat O'Neill in 2007.

Screen

16mm film installation.

Seven Second Love Affair

Seven Second Love Affair · 1965

Seven Second Love Affair

MovieDocumentary

Les Blank's first documentary cinematography job shooting Drag Racers in Long Beach, CA, driving everything from hopped up "Mercs" to Supercharged "Rail Dragsters". These cars could accelerate to over 220 miles/hour in a mile. The film follows the life of Rick "The Iceman" Stewart as he attempts to grab the world's record. Original score by Canned Heat Blues Band.

Sears Sox

Sears Sox · 1968

A short piece of commercial work done by three legendary L.A. artists. This piece was shown on loop projectors in Sears stores to promote an exciting and new young ladies' clothing line. 16mm print preserved by the Academy Film Archive.

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