Nora

Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with a former RAF pilot and the breakdown of her marriage to a High Court judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing.

Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth - the dashing one she once sent away - crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.

Forced to travel West in search of a promised land, the Joad family embark on an epic journey across America in the hope of finding work and a new life in California. Their story is one of false hopes, wrong turns and broken dreams, but also a hymn to human kindness and a tribute to the endurance of the human spirit. Filmed live at the National Theatre, Carrie Cracknell (Julie, The Deep Blue Sea) directs Frank Galati’s award-winning adaptation of John Steinbeck’s masterpiece.

In Henrik Ibsen’s A Doll’s House, Nora Helmer, having fraudulently borrowed money to save her husband, is forced to reveal her secret and, in doing so, reassess her life as it stands. This production, directed by Carrie Cracknell, was captured by Digital Theatre live at London’s Young Vic theatre.

A politician learns an uncomfortable truth about food-bank Britain. Katherine Parkinson stars in a 'microplay' written by Laura Wade and directed by Carrie Cracknell, after conversations with social affairs writer Amelia Gentleman and food blogger Jack Monroe. Britain Isn't Eating is the first in a series of plays made in collaboration between Guardian journalists and Royal Court Theatre-makers.