Locas y atrapadas

Several women (and one girl) in L.A. are hiding something from someone else, or discovering something hidden from them. Maxine, a therapist, discovers her husband cheating on her with the mother of Charlotte, a 13-year old patient. Addy (the other woman) and her sister Doris have withheld from the girl the truth of her parentage. Holly, an adult film actor, isn't telling her friend Bambi how she feels about her, and another actor, Elektra, who discovers she's pregnant, hasn't told the baby's father that she loves him. A stuck elevator, a car crash, mid-air turbulence, a flight attendant, a shotgun-wielding bartender, and her roommate, who's a masseuse, help these women communicate.

Remember that really cute girl/guy who said they'd call – and didn't? Maybe they lost your number. Maybe they're in the hospital. Maybe they're awed by your looks, brains or success. Or maybe... They're just not that into you.

A stranger in the city asks questions no one has asked before. Known only by his initials, the man's innocent questions and childlike curiosity take him on a journey of love, laughter and letting go.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.