The Path

This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.

Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.

The Invisible is a brief trek through Haiti a month after the catastrophe of January 12, 2010. Via songs and instants of day-to-day life in the city and in the camps, we discover a talented people that want, and deserve, to be reborn. It is a lesson to us all from those who have lost it all, but still keep on fighting. It is the voice of those who demand justice, all the while surrounded by life and death.

At bottom is a tale of exploring the imagination of a writer, plus a tale of exploring the city of Beirut. The film deals with the initiation to love and the female soul.

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

Girl Aya arrives at the sanatorium, and slowly sinking into the interweaving of complex human relationships, taking a pain and suffering of patients and separated people.