The Boy and the Wind

Caleb, a South Florida teen, loves his camera, his weed and his grandmother. On the eve of his high school graduation, everything changes when he's exposed to HIV. While he waits three months for his results, Caleb finds love in the most unlikely of places.

Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia.

Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.

After discovering she can’t legally get an abortion in Missouri without her parents’ permission, teenager Veronica convinces her former best friend Bailey to take a road trip to Albuquerque to seek the procedure.

Haruki secretly had feelings for Akihiko for years, but Akihiko was still in a relationship with his roommate, the violinist Ugetsu Murata. Haruki, Akihiko, and Ugetsu's love clashes and starts to move forward.

A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.

Barney Greenwald, a skeptical lawyer, reluctantly defends an officer of the navy who took control of the Caine from its captain, Lt. Philip Francis Queeg, while caught in a violent sea storm. As the court-martial proceeds, however, Greenwald increasingly questions if it was truly a mutiny or rather the courageous acts of a group of sailors who could not trust their unstable leader.