Cracks in Concrete

Max Liebermann, a student of Sigmund Freud, helps Detective Rheinhardt in the investigation of a series of disturbing murders around the grand cafes and opera houses of 1900s Vienna.

An irreparable mistake in a case of abuse that drives the accused, a pastor, into suicide, prompted Kommissar Höllbacher to resign.

Fatma is around 50, a housewife with six children. She lives in Vienna but grew up in Turkey and clings stubbornly to the traditions and values of the old country. Ayse is 19, and the film begins with her wedding in rural Turkey, to Fatma’s son Hasan. However, when the family takes Ayse to Vienna this is revealed as a charade, for Ayse is to be the kuma (second wife) of Fatma’s husband Mustafa.

Berlin in the 1920s. A dazzling place, but times are not only golden, they are marked by poverty and crime. Vicky arrives in the city, led by promises of a better life, she’s looking for a job. But as soon as she gets there, her hopes and dreams are met with a cold awakening. With no place to stay and nothing to her name, she hires on to work as a saleswoman at a newly-established, glamorous department store. But the founders are also fighting for survival, just like Vicky. Times are tough, and it’s about to get tougher.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Cem Balta, an aspiring imam, lives in Hanover with his wife Sehra and daughter Hanna. For the family, German culture is just as much a part of their lives as Turkish culture. At least that's what they thought until now. But when they take in Pia, the child of a friend, after a tragedy, they suddenly find themselves confronted with old prejudices. Even in their immediate environment, their decision to raise Pia causes heated discussions. And soon Pia's grandparents Christine and Theo Unger, who do not want their granddaughter to grow up with strangers and certainly not with practicing Muslims, also get involved. A custody battle ensues, which suddenly becomes about values such as faith, family and home...

The protagonist, a man in his early 30s, is primarily interested in one thing: rap music. The family always comes second. After his wife leaves him over night, he can no longer ignore his sons. Even though the emotional distance seems irreconcilable, he increasingly gains authority in his paternal role - that is, until mother Conny suddenly returns.

Is a murderer always a murderer? Karla Eckhardt supports easing measures for convicted murderer Anton Lisky. But as soon as she is released, Lisky's work colleague is killed. Was Karla wrong?