In Evil Hour

In 1930, on the island of Noronha in Brazil, the inmates of the penitentiary revolt. Frédéric Coulibaud, head of the aeropostale radio station, and his team-mates Mastic and Froment, try to prevent them from entering the concession where the island's governor and his daughter have taken refuge. They manage to repair the radio so as to follow and guide Mermoz as he attempts to cross the South Atlantic for the 53rd time. The aviator is forced to ditch and is picked up by a boat. Their mission accomplished, Coulibaud and his team boarded a British ship that had come to their rescue.

An unlucky trumpeter and a young singer try to rebuild their lives in Brazilian nightclubs. They will try everything for everything while making a risky heist.

23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.

The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.

Telenovela in six chapters adapted from the original screenplay by Gabriel García Marquez, directed by Ruy Guerra and shot in Cuba in 1991.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.

After a restless night he is awoken by his doorbell insistently ringing. Through the peephole, he sees a stranger. He doesn't know why that man is there but is immediately certain of one thing: he represents a terrible threat. He quickly dresses and manages to sneak away, no doubt in his mind that the stranger is pursuing him, and that the nightmare has only just begun.

An ornithologist goes on a field trip to a deserted island near the mainland with his wife and small son, and is joined by the wife's sister, who is getting over an abortion; later, an escaped convict is discovered. A situation which may seem naturalistic enough, but the form never is: incidents are isolated, cross-relations are oblique, emotions are unexplained.

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

A 10-part documentary about 10 Brazilian filmmakers: Linduarte Noronha, Jorge Furtado, Ruy Guerra, Murilo Salles, Paulo Caldas, Walter Salles & Daniela Thomas, David Neves, Julio Bressane, Ana Carolina and Carlos Reichenbach.