First on the Moon

1943 year. Alma-Ata. The hero of the film is a young Michurin fruit grower who revives a medicinal apple variety and investigates a strange crime. The script was written based on the book by Mikhail Zoshchenko "Before the Sunrise".

Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.

Five friends – a poet, an actor, a painter, an architect and a primitivist film director – are five red avant-garde artists who try to find the embodiment of their hopes and dreams in the young Soviet state. The Revolution is boiling up like a bottle with apple cider: winged service dogs and heart-shaped potatoes, dead Semashko, the People’s Commissar for Health, and cheerful angels, love for the Tsar and love for the young secretary Annushka, executions and pregnancies – everything is interlaced and inseparable!

Outside the gates of the psychiatric hospital was 40-years-male with the development of 10-year-old child nicknamed Baby. In his pocket he had a ticket on the train, in the hands of the suitcase. But he can't get far. At the station when boarding the train, he immediately gets into trouble and loses his suitcase. At the same time he still gets from the police. Two teenagers, a brother and sister — kit and Alenka, left without a home and without parents, living in an old abandoned railway car, let him spend the night. The kid is sincerely attached to them and begins to take an active part in their hard free homeless life.

Created under a 'manifesto' whose directives would make Lars von Trier shudder, an anthology is presented that might look on paper like an exercise in forced hipness. Fortunately, its creators – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make an exhilarating experiment.

This is a collection of portraits: 23 short stories about the Mari women, a sort of Decameron suspended between magic and realism, in which the Autonomous Republic of the Marij El serves as a backdrop for the collective history of a people of ancient tradition. A journey into a mysterious and unknown part of the world.

A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.

The entire family of a 6-year-old Anna dies in the mass coordinated execution of Jews. The mother covers up Anna with her own body, and the girl miraculously survives. For the next few hundred days Anna hides in the disused chimney at the Nazi Commandant's office. From her shelter she watches as life passes her by until the village is liberated from the Nazi. In these inhuman conditions Anna not only survives but keeps her humanity. Many factors help her: memories from the life swept away by war, the cultural foundations laid by the parents and a friend who saves her from loneliness.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Director Viktor Schaufler, a student of Marina Razbezhkina's Documentary Film School, comes to Colombia to solve the mystery of the disappearance of his older sister Bertha. The film consists of two seemingly independent parts — "The Mystery of Five hundred missing Virgins" and "Raccoon City".

Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.

Film about the life of a modern Siberian Tatar village on a forgotten stretch of the Silk Road.

The film is dedicated to the 55-year history of the student construction team "Gefest" from the Ural Polytechnic Institute, which built projects throughout the Soviet Union during its summer internships.

Anna and Misha, the parents of seventeen-year-old Ivan and his older sister Varya, recently separated. Misha, out of habit, sometimes comes to the old courtyard, secretly observes the life of his family. Ivan is watching his father.

The story of a man whose life coincided with the 20th century.

By My Side is a poetic meditation on our inability to notice the most important thing in live: love. It is an exploration of our tendency to hide from love and bar it from our lives; to unknowingly push it away, bewildered by our own feelings, even when it appears in the guise of a regular, flesh-and- blood woman. And yet, it always comes back...