Never Ever

In the aristocratic society of the seventeenth century, the fate of Marianne child who survived the deadly attack on a convoy.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

The fortunes of a small theatrical company based in the Paris suburbs.

Ten years after their first meeting, John Marcher and May Bartram meet again in the magnificent Weatherend estate, but, as the first time, John's certainty of being doomed to a tragic fate hinders the feelings they have for each other.

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

Le Navire Night is a story of love and desire sustained and nourished through sound waves. The film’s voice-over tells the story of a woman, terminally ill with leukemia, living in isolation at her wealthy father's villa, and a man working night shifts at a telephone company. They have never met in person.

Xavier is a 40-year-old father of two who still finds life very complicated. When the mother of his children moves to New York, he can't bear them growing up far away from him and so he decides to move there as well.

Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.

A look at the relationship between Marie Antoinette and one of her readers during the final days of the French Revolution.

A young Parisian must make major decisions about pregnancy, a job, and her boyfriend.

It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.

A couple have a peaceful existence in a small provincial town. He is a teacher and she runs an opticians practical. Their life is turned upside when Belle, a friend’s daughter who is lodging with them, is found dead in her room. The husband becomes the prime suspect as the only one at home at the time.

A man prepares himself to be transferred to a detention center and rest home where he will relive one more time the highlights of his youth.

Damien, a Chinese civilization professor, lives with his wife, Iva, a stage director, and their son Noé. The couple's relationship has drifted into routine that has drained it of love. Damien finds himself trapped one day by Iva, who orders him to ask his father, a senior member of the French Council of State, for help in preventing Zorica, a woman Iva knows, from being deported. But Damien and his father don't get on and are barely ever in touch with each other. This dangerous mission throws Damien into a spiral that will turn his life upside down.

A twist of fate leaves a hapless accountant romantically torn between two sisters.