The Flesh

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

A rancher, his clairvoyant wife and their family face turbulent years in South America.

Tradition says that on 13 June, Saint Anthony’s Day (the national holiday of Lisbon’s patron), lovers must offer small vases of basil with paper carnations and flags with popular poems as a token of their love.

A filmmaker returns to Macao, China, to help a friend who is in trouble.

After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.

T. S. Eliot ends one of his most famous poems, "The Hollow Men", by repeating three times the sentence "This is how the world ends" - and then adding: "Not with a bang but a whimper."

The Red Market in Macao. The red tonalities of blood, flesh, buckets and even of the fish’s eyes, carry the audience into a strange and scary universe but also beautiful and intriguing. Rodrigues and Guerra da Mata’s camera emerges like a driving force giving us the exact balance between what exists and what we see.

An elderly woman and a hormone-charged teenager arrive to a beach hut where, during her brief moments of clarity, she will persuade him to kill her.

The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?

When six-year-old Frederico finds out at school that people die when their hearts stop beating, he is unable to sleep that night. The next day, his mother asks the teacher once again: Must children always be told the truth? Always?

Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

In the course of one afternoon, Raphael's paradise turns into a spiral of guilt and paranoia.

Cinderella escapes at midnight, leaving behind one of her glass slippers. In the days that follow, the gay prince can't give up the idea of completing the pair.

How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.