Selma, Lord, Selma

With dreams of fame and fortune, Faith goes to Washington where she quickly discovers that the life of a budding starlet can be tougher than the ghetto hell she left behind.

Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority. The feelings and stories of ordinary people are featured in everyday context in six cities across the county. Interviews with residents of Chicago, Houston, Philadelphia, Miami and several other places probe the changing relationships between newcomers and established residents.

Shelby Coles (Halle Berry) is engaged to marry talented white jazz musician Meade Howell, but the pair face opposition from both Meade's family, who object to an inter-racial marriage, and Shelby's parents, who want her to marry a professional. As Shelby is afflicted by pre-marital doubts, handsome Lute McNeil arrives on the scene, determined to make Shelby his at any cost.

An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)

The Blues (2003) is a seven-part documentary series produced by Martin Scorsese that explores the history and influence of blues music. Each episode, directed by a different filmmaker, traces a unique aspect of the genre’s evolution—from its African roots to its global impact. Originally airing on PBS, the series includes Scorsese’s Feel Like Going Home, Wim Wenders’ The Soul of a Man, Richard Pearce’s The Road to Memphis, Charles Burnett’s Warming by the Devil’s Fire, Marc Levin’s Godfathers and Sons, Mike Figgis’ Red, White and Blues, and Clint Eastwood’s Piano Blues.

A young African-American man, living in Los Angeles without direction in his life, reluctantly agrees to be the best man for his brother, an upwardly mobile lawyer.

Jason Ross is an 11-year-old boy whose love for baseball exceeds his talent for the game. When cut from his little league team, Jason's undefeatable spirit leads him to try and create an expansion team. In searching for a new coach, Jason comes to believe that Mack Henry, the custodian at his school, is really Buck McHenry, the legendary pitcher from the old Negro Baseball Leagues. While Mack begins to coach this small rag-tag team, Jason and his friends set out to prove his true identity.

Director Charles Burnett (Killer of Sheep, My Brother's Wedding, To Sleep with Anger) presents a tale about a young boy's encounter with his family in Mississippi in the 1950s, and intergenerational tensions between the heavenly strains of gospel and the devilish moans of the blues.

An enigmatic drifter from the South comes to visit an old acquaintance who now lives in South-Central LA.

An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.

Charlie Banks, chronically unemployed, struggles to find dignity and a meaning for life in the impoverished Los Angeles neighborhood of Watts.

This acclaimed Emmy Award-winning anthology series features documentaries and a limited number of fiction films united by the creative freedom, artistic achievement and unflinching visions of their independent producers and featuring unforgettable stories about a unique individual, community or moment in history.

In 1831, Nat Turner led a slave rebellion in the United States that resulted in the murder of local slave owners and their families, the eventual execution of 55 rebels and the retribution lynching of more than 200 innocent slaves. Nat Turner: A Troublesome Property examines how the story of Turner’s revolt has been interpreted throughout history and how it continues to raise new questions about the nature of terrorism and other forms of violent resistance to oppression. The film adopts an innovative structure by interspersing documentary footage and interviews with dramatizations of these different versions of Turner’s story. A unique collaboration between MacArthur Genius Award feature director Charles Burnett, acclaimed historian of slavery Kenneth S. Greenberg and Academy Award-nominated documentary producer Frank Christopher, Nat Turner is a compelling look at one of history’s most mysterious figures.

A Jamaican widower recently released from a mental institution and a former housewife with an imagined lover in the form of 19th-century composer Giacomo Puccini become the unlikely tenants of an eccentric widow in Los Angeles.

John is a man of many talents, including one forbidden skill: he can read. When he teaches a young slave girl named Sarny to read and write, she learns an unforgettable lesson about the power of words and the true meaning of freedom.

A woman in a Hollywood dubbing studio struggles with race and preconceptions. The short film depicts the life of an African American woman passing as a white woman working in the film industry during the 1940s. It calls attention to the lack of African Americans in the film industry during that era.