The Bloodiest

Cameroonian filmmaker Jean-Pierre Bekolo's newest work uses split-screens (at times, up to four images simultaneously) to present a fake documentary in which "the president" has disappeared; talk-show hosts, rivals, politicians and even rappers chime in on what may have occurred, and what their president for life has—or has not—done for Cameroon.

Tourneur, a self-proclaimed cinéaste, feuds with Cinema and his gang, who are obsessed with foreign action movies.

An experimental Afrofuturistic fable centered around Wanita, a mysterious young woman who embarks on a journey of discovery that might just save humanity. One hundred and fifty years in the future, Africa has become a single, sprawling metropolis controlled by a race of immortal beings, and full of regular mortals dying from a disease called Bad Luck. As Wanita leaves home one morning, a prayer to her ancestors unwittingly starts her on a path to the Dimsi — another dimension, invisible to the eye, but discoverable by the soul. Can Wanita follow her DNA to break free from the shackles of the immortals? A purposely unfinished work, NAKED REALITY boldly leaves the audience with a blank canvas to interpret and create, as Bekolo grants viewers access to limitless answers waiting to be unearthed.

The boisterous and cheerful lives of the residents of Cameroon are barely dented by incursions of supernatural power in this humor-filled rendition of traditional folk tales in modern guise. In the story, a cheerfully naughty girl crosses paths with a witch who has the power to satisfy her curiosity about men by changing her into a young man. She then becomes one of the boy suitors for the amorous attentions of a policeman's daughter. Some of the men have unusual names and even odder magical gifts: one of them has the ability to make a man's genitals disappear when he shakes hands with him.

Documentary about Djibril Diop Mambety.

Escaping from her daughter, who has eyes only for her inheritance and accuses her of dilapidating the family fortune, Ariane, the richest woman in France but already an old woman, thwarts security to escape from the prison of her mansion where her family has locked her up because she dared to shower a gigolo with gifts. With her African chauffeur Aristide at the wheel of the Bentley, they wander around Paris with no real destination. For the first time, Ariane becomes interested in the origins and the personality of this black man, until now « invisible », who has been driving her for ten years. It's in this way that Africa will impose itself on her through Aristide's stories, African food and palm wine. An adventure into the unreal, where Africa becomes the way out and the lifeline from the family impasse in which she finds herself. If money can’t make you happy, try Africa.

In October 2016, Senegalese economist, musician, and poet Felwine Sarr founded the "Ateliers de la Pensée", the so-called workshops for thought, together with his friend political scientist Achille Mbembe. Over four days in Dakar, they gathered together leading Senegalese intellectuals including Lydie Moudileno, Romuald Fonkoua, and Nadia Yala Kisukidi for a long-overdue theoretical exchange on the current issues that affect Africa— and thus also the future of the planet Earth.

Les Mots et les Choses de Mudimbe is a portrait of the Congolese intellectual V-Y Mudimbe, one of the most important living African philosophers and writers.

The first outing of the new king of the Bamouns in Foumban. To those who propose Wakanda as an Africa of the future, the Bamouns, who for centuries have had their own script, territory and administration, reply that this future is behind them.