High Stakes in the East

This documentary documents the construction of the Afsluitdijk, the massive hydraulic engineering project that sealed off the Zuiderzee from the North Sea. Filmed over several years, it focuses on the labor required to build the dike and the final closing of the last gap in 1929.

Between documentary and fiction, "Branding" (also know as "Breakers") stars an unemployed sailor from Katwijk, a land that sparked Ivens’ interest in the movement of the big waves crashing on the rocks. Determined to film them, he faced them with his camera and the result is staggering.

A line from Whitman, "There was a child went forth every day," starts this film: a visit to a farm that's a summer camp and progressive school for exploration and discovery. The children, as young as two or three, have room and time to question, wonder, and learn. We build a wading pool, use tools, climb and swing, bath a dog - and learn to live together. There are spats, and little adult interference. A tree house sparks children's imagination. They visit a neighboring farm, play with the animals and ride on a tractor that's plowing. They eat and nap. There's story time, easels for art, and a lollipop. It's the perfect place for city children to be safe from bombardment, says the narrator.

The film is a documentary portraying a struggle as man tries to subdue nature. To prevent flooding and for purposes of land reclamation, the people of the Netherlands struggle and succeed in building a breaker, thereby eliminating the wild inland body of water once known as the Zuider Zee (now called Ijsselmeer).

Joris Ivens’s advocacy documentary for the Republican cause intercuts a besieged Madrid with a nearby village digging an irrigation canal, linking the war to bread, land, and survival. Produced by the writers’ collective Contemporary Historians, edited by Helen van Dongen, scored by Marc Blitzstein, and narrated in its U.S. version by Ernest Hemingway (after an initial Orson Welles track), it blends frontline reportage with persuasion against Franco’s forces and their German–Italian backers.

A poetic industrial short that follows a radio from molten glass to finished set: glassblowers shape valves, conveyors and assembly lines build chassis, cabinets, and speakers, engineers test and prototype—ending on a playful stop-motion “dance” of loudspeakers.

Promotional film (70mm) from 1967 made by John Fernhout. The film shows the characteristic Dutch landscape that was portrayed and made famous by the great 17th century Dutch painters.

Take flight with thousands of wild birds who defy distance and international boundaries in this short documentary about their twice-yearly migration.

Joris Ivens’s wartime documentary of China’s resistance to the Japanese invasion, cross-cutting civilian exodus and bombing with the Nationalist state’s mobilization—schools, industry, dispersed war production, foreign relief—and guerrilla fighting. Framing an ancient nation of “400 million,” it contrasts tradition with modernization and closes on the unresolved question of victory.

Wehrhafte Schweiz is a Swiss Army propaganda film, made for the Expo 64 national exhibition in the then-prevailing spirit of geistige Landesverteidigung, "cultural national defense". It portrays the Swiss Army fighting against an unnamed, unseen enemy, using heavy weapons such as flamethrowers, artillery, tanks and bomber aircraft. After the enemy is repelled, the film closes with idyllic shots of beautiful Swiss landscapes. The 20-minute film was shot using the latest action film techniques in the Cinerama format on expensive MCS-70 Super Panorama 70mm stock. (Wikipedia)

Documentary celebrating the 10th anniversary of the General Dutch Construction Workers Union, providing a multifaceted view of the union and depicting the many construction activities of its members. Some parts were also shown separately.

A stark documentary film about the economic and educational crises the mountain people of rural Appalachia faced at the tail end of the Dust Bowl period.

A lyrical promotion of Belgium’s North Sea coast that alternates teeming promenades and playful beach games with elegant seafront vistas; shot by John Fernhout and set to Marcel Poot’s score, with commentary by Éric de Haulleville.