Transeunte

The Falling Sky

Documentary about Indigenous peoples' profound connection to nature and their struggle against deforestation, a grave threat to their way of life and the ecosystem they call home.

Jards

The life and work of singer, musician and actor Jards Macalé.

Cinema Novo

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Undertow Eyes

Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.

Agreste

Drylands could be anywhere, just as Marcélia Cartaxo could be many women (including herself). The actress is placed in a situation in which she encounters nature and other female figures, in some instances, her doubles. Out of these encounters spring other possibilities that operate in the world of representation, which, in the film originate from the same imaginary power as children's games in empty lots.

Igor

Igor is a teenager with a lot of potential and energy, but without the motivation to stay in school. His case reflects the situation in which many students at risk of dropping out of school live. The short shows a day in the life of this aspiring actor and capoeirista, who lives in Morro dos Prazeres.

La Rueda

La Rueda shows an everyday night in Pucallpa, a city located in the Peruvian Amazon. Colors, noises and lights are projected. Families transport their children to the amusement park. Fears, fantasies, joys and vertigo intertwine. A new world of sensations arises. The film dialogues with the most distant memories and drives of childhood and in the plots of affection between mothers and children.

Ostinato

A documentary about the creative process of Arrigo Barnabé

Memória da memória

Reviewing home videos, filmmaker Paula Gaitán constructs a curious narrative about her youth while talking to her children. A filmic note in the form of an essay based on material made in Super 8. "Of which there are no limits, and full of affection and imagination", says the author.

Light in the Tropics

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

The Volcano Exiles

She menage to save from a fire a bunch of pictures and a diary written by hand. Those words and faces becomes the last traces left from the man she one day knew and loved. Crossing mountains and roads, she tries to remake his steps. The places she vists bring people, gestures, memories and histories that slowly become part of her life.

Elza Soares: A Mulher do Fim do Mundo

Music about becoming women in the contemporary world, their emancipation and struggles

Edna

On the edge of the Transbrasiliana highway, Edna lives in a land in ruins, built on massacres.

Mãri Hi: The Tree of Dream

When the flowers of the Mari tree bloom, dreams arise. The words of a great shaman lead to an oneiric experience through the synergy between cinema and the Yanomami dream, presenting poetics and teachings of the peoples of the forest.

Watoriki - Conversation with Davi Kopenawa

Watoriki is a testament to the thought and biography of one of the most important indigenous leaders in Brazil, the shaman Davi Kopenawa Yanomami. Through interviews, he recounts details of his life, historical facts about the Yanomami people, and how his experience as an interpreter and translator of the world of the white people - napë - led him to his fight for the forest and to an accurate analysis of those who try to destroy it.

Da Fome ao Sonho

Filmmaker Paula Gaitán and Richard Peña, a professor at Columbia University and former director of film programming at Lincoln Center, delve into the manifestos of Glauber Rocha, revisiting the Aesthetics of Hunger and the Aesthetics of Dreams to reflect on the revolutionary power of cinema.