Sinners in the Sun

Love triangle in an acrobatic trapeze act results in a missed catch and a death, but was it on purpose?

There is a confusion between comedy treasurer Theodor Jensen and an escaped felon, Gerhardt Müller, both played by Carsten Winger. Nanna Stenersen had the role of Mrs Jensen.

Eilert is afraid of women. His friend Lagesen is not, quite the opposite. To help his shy friend, he takes him to a mountain hotel during Easter. There they meet Ingrid, a beautiful girl with whom they both fall in love.

Den store barnedåpen (English: The great christening) is a 1931 Norwegian comedy film directed by Tancred Ibsen, starring Einar Sissener, Aase Bye and Agnete Schibsted-Hansson. It was the first feature-length Norwegian sound film. The lacklustre Harald (Sissener) is taken in by Alvilde (Bye), and charged with looking after her bastard child. It soon dawns on both of them that Harald has more potential than previously assumed.

Arthur Sellmann is marrying Irene, and his friend, the spiritual Diana makes him read his future in the palm of his hands every week. Maybe he shouldn't have started believing what he is told.

Tore, son of a poor farmer, loves Berit, daughter of a rich one, but she's promised to another man whom she does not love and thus refuses to marry.

While Sigurd Helmer is being dressed in his bishop's robes, the fanatical Tornkvist arrives at the ordination and watches from the background. Even before the ordination is over, he goes to the police. He has evidence that Helmer has stolen the office with the help of anonymous letters that slandered Tornkvist in the battle for the bishop's crozier. At the banquet in the bishop's residence, Tornkvist drops the accusation like a bomb. At the same time, he announces his engagement to Helmer's daughter, and the banquet table dissolves into complete confusion. Only Helmer's wife stands firm in her belief in his innocence. Helmer is then brought to trial, accused by Tornkvist. Based on Axel Kielland's play from 1955.

At a high mountain hotel in Norway, porter Poppe tries to do the best he can for the guests with an often unhelpful piccolo Rudolf. This, however, leads to a lot of problems, and Poppe thinks some of the guests behave inappropriate.

The wealthy farmer sits safely on his ancestral farm, and the hard-working tenant farmer lives on the hill below. The horse dealer at the coach station will trick the innocent farmer, who is not so innocent after all, with cunning tricks. The mischievous boy who bullies the servants when his mother and father are away, the kind-hearted little boy who helps his grandfather when no one else will listen to the old man, the village eccentric who never tires of recounting his youthful adventures in the city, the worn-out wife who will not send her cow to the show at any price.

Mountain climbing and its dangers get a different twist in this standard drama by Norwegian director Tancred Ibsen. When one of two climbing buddies returns from an attempt to scale Eagle Peak, he is happy to claim his award for being the first to reach the summit. But his celebration is short-lived after his friend comes back down from the mountain with another version of his "victory" climb. This second version has the supposedly successful climber cast as an attempted murderer. The story behind the climb comes out in flashbacks as the Alpine Club reviews the accusation.

Baldevins bryllup (English: Baldevin's wedding) is a 1926 Norwegian comedy film directed by George Schnéevoigt, starring Einar Sissener and Victor Bernau. The film is based on a play by Vilhelm Krag, and tells the story of how Simen Sørensen (Bernau) manages to get his friend Baldevin Jonassen (Sissener) married to the lady next door. The film was renovated in 2006, for the 100-years anniversary of Kristiansand Cinema.

Like all other fairy tales, this one begins with: Once upon a time. Once upon a time, there were two friends, one was an actor in Copenhagen, the other in Oslo. The one in Copenhagen was called Osvald, and one day he was very angry. He stood in front of his director and told him what he thought of him in general and the tasks he was given at his theater in particular. So Osvald left. By a twist of fate, something similar happened in Oslo. Einar felt that his director did not take him into consideration, so he also left. Now the two meet in Copenhagen, and they experience an adventurous evening together, spiced with several well-known revue numbers.