The Extraordinary Ordinary Life of José González

From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.

In Max Eriksson’s audacious debut, Swedish skateboarding prodigy Ali Boulala—alongside other pros like Rune Glifberg and Arto Saari—looks back on the DIY videos and fast-paced lifestyle of his coming-of-age in the ’90s skating scene.

A celebrity model couple are invited on a luxury cruise for the uber-rich, helmed by an unhinged, alcoholic captain. What first appears Instagrammable ends catastrophically, leaving the survivors stranded on a desert island in a struggle of hierarchy.

A short film about how economic interests have, throughout history, influenced how we use the camera — from the earliest photographs to today’s algorithms and AI. This visual essay expands on themes from the acclaimed documentary about the history of the camera and our relationship to it, “And the King Said, What a Fantastic Machine.”

A film team hires a private detective to help them make a "true crime" about a nose stolen from the statue of the famous soccer player Zlatan Ibrahimović, but soon both the investigation and the film make an unexpected turn.

A surreal journey into singer José González’s inner world of thoughts and shadows. Staged with dark humour in the picturesque Swedish countryside around his home with Ruben Östlund’s regular creative partners behind the camera.

Inside and outside the well-kept hedges life carries on as usual. The King buys his daily newspaper. Bertil searches the parking lot for dogs to photograph. Hans and Gun-Britt is planting a big, but still too small rock in their garden. Trying to get their minds off it all. As darkness falls over the little village in the woods, the Indians gather for a meeting in the town house as angst, frustration and silent prayer echoes in the night. With visual precision and attention to detail, director Mikel Cee Karlsson captures people and their existence in a small village deep inside the Swedish forest. Over a period of four years, the music video director and former professional skateboarder Mikel has been capturing singular scenes from a part of today’s Sweden where reality inexorably seeps in behind the colourful fasad. With a mixture of playful precision, humour and melancholy he portrays people’s dreams, their relationships and everyday destinies.

Gustav and Oskar are twins. Oskar has Achondroplasia, a common form of dwarfism. Both have blue eyes and blonde hair.

Director Mikel Cee Karlsson is working on a film with and about his best friend Mathias – a young father who one day reveals that he is living a double life. Circumstances have driven Mathias into a criminal underworld where debts seem impossible to pay off. In a spiral of threats, lies and violence, Mathias is desperately looking for a way out. When things finally seem to look up for him, the pressure he has lived under for several years has fatal consequences, leaving Mikel forced to make crucial decisions about the film he is working on.